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The Axe of Tuor, called Dramborleg (Gnomish: Thudder-Sharp) [30] in The Book of Lost Tales, is the great axe belonging to Tuor, son of Huor in Unfinished Tales of Númenor and Middle-earth [1] that left wounds like "both a heavy dint as of a club and cleft as a sword". [30] It was later held by the Kings of Numenor, until lost in the downfall ...
Middle-earth is the setting of much of the English writer J. R. R. Tolkien's fantasy. The term is equivalent to the Miðgarðr of Norse mythology and Middangeard in Old English works, including Beowulf. Middle-earth is the oecumene (i.e. the human-inhabited world, or the central continent of Earth) in Tolkien's imagined mythological past.
J. R. R. Tolkien invented heraldic devices for many of the characters and nations of Middle-earth. His descriptions were in simple English rather than in specific blazon. The emblems correspond in nature to their bearers, and their diversity contributes to the richly-detailed realism of his writings.
Both Bilbo and later Frodo Baggins leave Bag End, their comfortable home, setting off into the unknown on their journeys, and returning changed.. Scholars, including psychoanalysts, have commented that J. R. R. Tolkien's Middle-earth stories about both Bilbo Baggins, protagonist of The Hobbit, and Frodo Baggins, protagonist of The Lord of the Rings, constitute psychological journeys.
The Dark Lord Sauron gave nine Rings of Power to powerful mortal men, including three lords of the once-powerful island realm of Númenor, along with kings of countries in Middle-earth. [T 2] [T 3] The rings enslaved their bearers to the power of Sauron's One Ring, into which he had put much of his own power. The corrupting effect of the Rings ...
Tolkien meant Arda to be "our own green and solid Earth", seen here in the Baltistan mountains, "at some quite remote epoch in the past". [1]In J. R. R. Tolkien's legendarium, the history of Arda, also called the history of Middle-earth, [a] began when the Ainur entered Arda, following the creation events in the Ainulindalë and long ages of labour throughout Eä, the fictional universe.
In Medieval epics, heroes gave names to their weapons. The name, lineage, and power of the weapon reflected on the hero. Among the major tales are those of Sigurd the Volsung and his sword Gram that he used to kill the dragon Fafnir; [a] [1] Beowulf and the swords Hrunting and Nægling; [2] King Arthur's Excalibur, the "Sword in the Stone"; [2] Roland's Durendal; Waldere's Mimming; [2] and the ...
The axe, therefore, as being polluted by murder, was immediately afterward carried before the court of the Prytaneum, which tried the inanimate object for murder, and, after the water-bearers who lustrated the axe, the sharpeners who sharpened it, the axe-bearer who carried it, each denied in turn responsibility for the deed, the guilty axe or ...