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Desecrated is a 2015 American slasher film directed by Rob Federic and written by Cecil Chambers, starring Haylie Duff, Michael Ironside, Gonzalo Menendez, Gib Gerard, Paul James, Wilmer Calderon and Heather Sossaman.
Merle Bertrant of Film Threat panned the film and gave it one and a half stars, stating, "All moody funky art-crap visuals and no cohesive narrative to speak of, the only thing desecrated in Desecration is the rapidly fading art of storytelling."
The three enter the church through the dome and find the place in near-pristine condition, but note two disturbing oddities; the statues of the angels holding weapons point their spears downward instead of triumphantly toward heaven and someone has vandalized and desecrated the church, placing the cross in an upside-down position.
IN FOCUS: Next month an epic eight-part biopic of the Italian dictator Benito Mussolini airs on Sky. Craig McLean visits the set in Rome and talks to those who worked on the project, including the ...
Karsh, 50, is a prominent businessman. Inconsolable since the death of his wife, he invents GraveTech, revolutionary and controversial technology that enables the living to monitor their dear departed's corpses as they decay in their shrouds. One night, multiple graves, including that of Karsh’s wife, are desecrated.
The Exorcist is a 1973 American supernatural horror film directed by William Friedkin from a screenplay by William Peter Blatty, based on his 1971 novel.The film stars Ellen Burstyn, Max von Sydow, Jason Miller, and Linda Blair, and follows the demonic possession of a young girl and the attempt to rescue her through an exorcism by two Catholic priests.
Michael Posner of The Globe and Mail said "Arash Amel’s plot is a hodgepodge of threadbare motifs, liberally cut and pasted from every thriller you’ve seen." [ 10 ] Jeannette Catsoulis of The New York Times agreed, saying "We have a script, by Arash Amel, that hustles cardboard characters from one crisis to the next, pausing only to leak ...
On the first day of shooting James H. Nicholson and Sam Arkoff of AIP turned up, announcing to Corman that they were working together again, as they were able to convince Pathé to bring the movie back to AIP after threatening to pull all future lab work with them. [1] Corman employed Francis Ford Coppola on Burial as an assistant director. [8] [9]