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"Footsteps" (Korean: 발걸음, romanized: Palgŏrŭm) is a North Korean propaganda song dedicated for Kim Jong Un, that appeared before "Onwards Toward the Final Victory". The song was released in 2009 [1] and aired while his father Kim Jong Il) was still alive, before Kim Jong Un had a formal position. [2] The composer is Ri Jong-o . [3]
"Aegukka" is a Romanized transliteration of "The Patriotic Song"; the song is also known by its incipit Ach'imŭn pinnara or "Let Morning Shine" [1] [3] or in its Korean name 아침은 빛나라 or alternatively as the "Song of a Devotion to a Country".
"Abracadabra" (Korean: 아브라카다브라) is a song recorded by South Korean girl group Brown Eyed Girls. Released as the second single from Sound-G in July 2009, it marked a change in the group's image and style. The song topped various on- and offline charts, including a 3-week chart-topping run on music portal Mnet. [1]
"Russian Roulette" (Korean: 러시안 룰렛; RR: Reosian rullet) is a song by South Korean girl group Red Velvet for their third extended play of the same name. Written by Jo Yoon-kyung and produced by Albi Albertsson, Belle Humble and Markus Lindell, it is primarily an 8-bit influenced synth-pop and dance-pop song which lyrically compares the ...
"Friendly Father" has been described as "upbeat" and "catchy". [7] Peter Moody, a North Korea analyst and visiting professor at Korea University, compared the song's style to that of Swedish supergroup ABBA, pointing to the shared use of a "rich set of orchestral-sounding sequences". [7]
The song's popularity led to what South Korean media called the "Hyori Syndrome". [1] "10 Minutes" won numerous accolades, including the Most Popular Music Video daesang at the 2003 Mnet Music Video Festival [21] and the Grand Prize at the annual KBS Music Awards. [22] It won the Grand Prize at the 2003 SBS Gayo Daejeon. [citation needed]
The Korean lyrics were written by Yoo, with Japanese lyrics translated by Ryoji Sonoda. "Mirotic" was a commercial and critical success, reaching number one in several countries. The single peaked at number one on Japan's Oricon Singles Chart and was certified gold in both digital sales and physical shipments by the RIAJ .
Incorporating a mix of Western influences such as hip-hop, new jack swing, and guitars, the song became a pivotal moment in Korean music history and is widely regarded as the pioneering work for the beginning of the modern K-pop market. It was a major commercial hit domestically, breaking the record for the longest charting song at number-one ...