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"Gunmen of the Apocalypse" is the third episode of the sixth series of the science fiction sitcom Red Dwarf. It was first broadcast on 21 October 1993, on BBC Two, [1] and went on to win an International Emmy Award. [2] The episode was written by Rob Grant and Doug Naylor, and directed by Andy de Emmony. [3]
Red Dwarf is a British comedy TV series which primarily comprises twelve series and a feature-length special of a television science fiction sitcom that aired on BBC Two between 1988 and 1993 and from 1997 to 1999, and on Dave in 2009 and 2012 and from 2016 to the present, gaining a cult following.
"Tikka To Ride" is the first episode of science fiction sitcom Red Dwarf Series VII and the 37th in the series run. It was first broadcast on the British television channel BBC2 on 17 January 1997. [1] Written by Doug Naylor and directed by Ed Bye, it was the first episode not to involve co-creator and writer Rob Grant.
"Stoke Me a Clipper" is the second episode of science fiction sit-com Red Dwarf Series VII and the 38th in the series run. It was first broadcast on the British television channel BBC2 on 24 January 1997, [1] was written by Paul Alexander and Doug Naylor, and was directed by Ed Bye.
"Future Echoes" is the second episode of the science fiction sitcom Red Dwarf series one, [1] and was first broadcast on the British television channel BBC2 on 22 February 1988. [2] It was written by co-creators Rob Grant and Doug Naylor , and directed by Ed Bye .
"Cassandra" is the fourth episode of Red Dwarf VIII and the 48th in the series run. It was first shown in the UK on 11 March 1999 in the 9:00pm BBC2 time slot, [1] Written by Doug Naylor and directed by Ed Bye.
This is the second episode of Red Dwarf to forfeit the opening titles for the purposes of time and episode pacing (the first being the series II closer "Parallel Universe"). [ 2 ] Guest actors included Gary Bleasdale as Frank, Juliet Griffiths as Barmaid, Adrienne Posta as Flight Announcer and Alexander John-Jules (Danny John-Jules' nephew) as ...
Robert Llewellyn wrote this episode with the intent to feature very little of Kryten, as he increasingly disliked the application of the Kryten makeup. However, after numerous revisions of the script by Naylor, Kryten became an integral part of the episode. [2] Plus Llewellyn also had to play the part of another mechanoid, Kryten's "brother", Able.