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A rag rug is a rug or mat made from rags. Small pieces of recycled fabric are either hooked into or poked through a hessian backing, or else the strips are braided or plaited together to make a mat. Other names for this kind of rug are derived from the material (clippy or clootie rug) or technique (proggie or proddie rug, poke mats and peg mats).
Traditional rug hooking is a craft in which rugs are made by pulling loops of yarn or fabric through a stiff woven base such as burlap, linen, rug warp or monks cloth. The loops are pulled through the backing material by using a latch hook mounted in a handle (usually wood) for leverage.
Rug hooking is both an art and a craft where rugs are made by pulling loops of yarn or fabric through a stiff woven base such as burlap, linen, or rug warp. The loops are pulled through the backing material by using a crochet -type hook mounted in a handle (usually wood) for leverage.
Pearl McGown learned rug-hooking as a child. [1] Hooked rugs are made by pulling loops of yarn or thin strips of fabric through a base material with an open weave, typically burlap or linen. [2] [3] [4] In North America, rug-hooking has been a widespread handicraft since the early 19th century, possibly brought over by English textile workers. [5]
In step with the beginning of the Arts and Crafts Movement, Ziegler modified designs to be larger size, along with a larger rug size to suit western room specifications. Arak's palette changed, as colors were softened in an effort to appeal to European and American tastes.
The thick handspun yarns and synthetic dyes are typical of pieces made during the transition from blanket weaving to rug weaving, when more weavings were sold to outsiders. Commerce expanded after the Santa Fe Trail opened in 1822, and greater numbers of examples survive. Until 1880, all such textiles were blankets as opposed to rugs.
It is difficult to talk about the history and style of Scandinavian rugs without mentioning Märta Måås-Fjetterström. One of the most important figures in the entire history of Scandinavian rug-making, Märta Måås-Fjetterström was a mid-twentieth century rug designer whose pieces are among the most noteworthy rugs ever designed. [1]
Unlike Persian and Turkish rugs, which are woven on looms using knots (asymmetric in Persian rugs and symmetric in Turkish ones), Arraiolos rugs are embroidered using a diagonal cross-stitch technique known as ponto de Arraiolos. This technique is easier to execute than knotting, making it more accessible for local artisans.