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Film classification in Singapore was introduced on 1 July 1991 and comes under the jurisdiction of the Board of Film Censors (BFC), currently part of the Infocomm Media Development Authority (IMDA). There were three ratings originally: G (General), PG (Parental Guidance) and R (Restricted to 18 years and above).
The 1957 Hindi film Mother India was India's first submission. The film made it to the final shortlist and was nominated alongside four other films in the category. [8] It came close to winning the Academy Award but lost to Nights of Cabiria by a single vote. [9]
I, the Jury is a 1982 American neo-noir [3] crime thriller film based on the 1947 best-selling detective novel of the same name by Mickey Spillane. The story was previously filmed in 3D in 1953. Larry Cohen wrote the screenplay and was hired to direct, but was replaced when the film's budget was already out of control after one week of shooting ...
Director Vilgot Sjöman plans to make a social film starring his lover (played by Lena Nyman), a young theatre student who has a strong interest in social issues.. Nyman's character, also named Lena, lives with her father in a small apartment in Stockholm and is driven by a burning passion for social justice and a need to understand the world, people and relationships.
British Board of Film Censors 'U' certificate for Berlin Airlift (1949) [9]. The BBFC was established in 1912 as the British Board of Film Censors, under the aegis of the Incorporated Association of Kinematograph Manufacturers, [10] by film trade associations who preferred to manage their own censorship than to have national or local government do it for them.
Steven Andrew Soderbergh (/ ˈ s oʊ d ər ˌ b ɜːr ɡ / SOH-dər-burg; born January 14, 1963) [1] is an American film director, producer, screenwriter, cinematographer, and editor. A pioneer of modern independent cinema, Soderbergh later drew acclaim for formally inventive films made within the studio system.
A B movie, or B film, is a type of cheap, low budget commercial motion picture. Originally, during the Golden Age of Hollywood, this term specifically referred to films meant to be shown as the lesser-known second half of a double feature, somewhat similar to B-sides in recorded music. However, the production of such films as "second features ...
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