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The word "blurb", meaning a short description of a book, film, or other product written for promotional purposes, was coined by Burgess in 1906, in attributing the dust jacket of his book, Are You a Bromide?, to a "Miss Belinda Blurb" depicted "in the act of blurbing". His definition of "blurb" is "a flamboyant advertisement; an inspired ...
A blurb on a book can be any combination of quotes from the work, the author, the publisher, reviews or fans, a summary of the plot, a biography of the author or simply claims about the importance of the work. In the 1980s, Spy ran a regular feature called "Logrolling in Our Time" which exposed writers who wrote blurbs for one another's books. [3]
Sonnet 116 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.
The long quotation from Dante's Inferno that prefaces T. S. Eliot's "The Love Song of J. Alfred Prufrock" is part of a speech by one of the damned in Dante's Hell. The epigraph to E. L. Doctorow's Ragtime quotes Scott Joplin's instructions to those who play his music, "Do not play this piece fast. It is never right to play ragtime fast."
The Pompatus of Love, a 1996 film starring Jon Cryer, featured four men discussing a number of assorted themes, including attempts to determine the meaning of the phrase. [3] Jon Cryer was also a writer of the film, and describes finding out the meaning of the phrase during a phone call with Vernon Green in his autobiography "So That Happened ...
"Live, Laugh, Love" is a motivational three-word phrase that became a popular slogan on motivational posters and home decor in the late 2000s and early 2010s. By extension, the saying has also become pejoratively associated with a style of " basic " Generation X [ 1 ] decor and with what Vice described as " speaking-to-the-manager shallowness ".
Throughout his book, Pirsig refers to his old self—the one before electroshock destroyed his personality—as Phædrus, to indicate this complete break of self.It is fair to say that the above adaptation presents Phædrus' view; Pirsig differs.
The tone shift highlights the power of love in interpolating mutual exchange of harmonious moments even at the cost of such negative values as lying. The interpolation process prompts him to transcend his earlier cynical perception of deceit to capture a rather more meaningful feeling, i.e. their lying cycle is but a moment of love performance.