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A blurb on a book can be any combination of quotes from the work, the author, the publisher, reviews or fans, a summary of the plot, a biography of the author or simply claims about the importance of the work. In the 1980s, Spy ran a regular feature called "Logrolling in Our Time" which exposed writers who wrote blurbs for one another's books. [3]
The word "blurb", meaning a short description of a book, film, or other product written for promotional purposes, was coined by Burgess in 1906, in attributing the dust jacket of his book, Are You a Bromide?, to a "Miss Belinda Blurb" depicted "in the act of blurbing". His definition of "blurb" is "a flamboyant advertisement; an inspired ...
Quoting out of context (sometimes referred to as contextomy or quote mining) is an informal fallacy in which a passage is removed from its surrounding matter in such a way as to distort its intended meaning. [1] Context may be omitted intentionally or accidentally, thinking it to be non-essential.
Brandon Sanderson, in his Mistborn and Stormlight Archive series uses various epigraphs including letters between various gods, so-called "death rattles" and quotes from the villain's diary. Edward Gorey 's The Unstrung Harp is not only about a fictitious novel, but its author thinks of a fictional verse for its epigraph.
The cover of the September 1957 issue of Venture Science Fiction, in which Sturgeon first published "90% of everything is crud.". Sturgeon's law (or Sturgeon's revelation) is an adage stating "ninety percent of everything is crap".
De gustibus non est disputandum, or de gustibus non disputandum est, is a Latin maxim meaning "In matters of taste, there can be no disputes" (literally "about tastes, it is not to be disputed"). [ 1 ] [ 2 ] The phrase is commonly rendered in English as "There is no accounting for tastes" [ 3 ] or "for taste".
A quotation or quote is the repetition of a sentence, phrase, or passage from speech or text that someone has said or written. [1] In oral speech, it is the representation of an utterance (i.e. of something that a speaker actually said) that is introduced by a quotative marker, such as a verb of saying.
Throughout his book, Pirsig refers to his old self—the one before electroshock destroyed his personality—as Phædrus, to indicate this complete break of self.It is fair to say that the above adaptation presents Phædrus' view; Pirsig differs.