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Alamo, also known as the Astor Place Cube or simply The Cube, is an outdoor sculpture by Tony Rosenthal, located on Astor Place, in the East Village neighborhood of Manhattan in New York City. It is a black cube, 8 feet (2.4 m) long on each side, mounted on a corner. The cube is made of Cor-Ten steel and weighs about 1,800 pounds (820 kg). The ...
1.5 CUBE STREET. 1.6 CUBE STREET EX. 1.7 CUBE-15. 1.8 CUBE-20. 1.9 CUBE-30. 1.10 ... Roland CUBE is a series of guitar and bass amplifiers manufactured and ...
The 4,500 square feet (420 square metres) space was located in a refurbished building at 1330 4th Street in Santa Monica. [4] In 2012, Luhring Augustine opened a space in Bushwick, Brooklyn. [5] In 2020, it opened a new 3,500 square feet (330 square metres) space in Tribeca. [6] The gallery is a member of the Art Dealers Association of America ...
The New York Times published a 2003 account describing the interaction of a 4-year-old boy with the sewer alligator. After jumping on the alligator's head and trying to wrestle the little man from his bronze jaws, the observer notes that the boy, "about to give up, he kicked the alligator, his foot connecting solidly with the bronze head.
They had a home in New York City, at 760 Fifth Avenue (and later at 350 Fifth Avenue), [26] and a residence in Syosset on Long Island known as White Elephant Farm. [27] Before their divorce in 1953, they were the parents of four daughters: Sylvie Livingston Redmond, a writer who married William Griffiths Jr. in December 1940. [27] [28]
1540 Broadway, formerly the Bertelsmann Building, is a 44-story office building on Times Square in the Theater District neighborhood of Manhattan in New York City.Designed by David Childs of Skidmore, Owings & Merrill (SOM), the building was developed by Broadway State Partners, a joint venture between Bruce Eichner and VMS Development. 1540 Broadway occupies a site bounded by Broadway to the ...
Roger Greenspun (December 16, 1929 – June 18, 2017) was an American journalist and film critic, best known for his work with The New York Times in which he reviewed near 400 films, particularly in the late 1960s and early 1970s, and for Penthouse for which he was the film critic throughout much of the late 1970s and 1980s.
In the late 1980s, Ray conceived minimalist works using ink and wire. In Ink Box (1986), a large cube is filled to the brim with ink, giving the illusion of a solid cube. Ink Line (1987) is a continuous stream of black ink traveling from a dime-size opening in the ceiling into a similar hole in the floor.