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  2. Dynamic range compression - Wikipedia

    en.wikipedia.org/wiki/Dynamic_range_compression

    The crest factor, which is the difference between the signal's peak and its average power, [31] is on occasions considered as a basis for the measure of micro-dynamics, for instance in the TT Dynamic Range Meter plug-in. [32] Finally, R 128 LRA has been repeatedly considered as a measure of macro-dynamics or dynamics in the musical sense.

  3. Outboard gear - Wikipedia

    en.wikipedia.org/wiki/Outboard_gear

    Today, analog effects are also considered outboard when used in conjunction with console-free computer-based digital recording systems. [ 3 ] Famous examples include analog dynamic range compressors, such as the Teletronix LA-2A and the Universal Audio/UREI 1176 , early multi-effects units like those made by Eventide , and physical or digital ...

  4. Fractal Audio Systems - Wikipedia

    en.wikipedia.org/wiki/Fractal_Audio_Systems

    An Axe-FX Ultra. Fractal Audio Systems, often shortened to Fractal, is an American audio equipment manufacturer founded in 2006. Fractal became pioneers of the high-end digital amplifier modeling market with the release of the rack-mount Axe-FX, which has been credited as the first amp modelling and effects system convincing enough for professional use.

  5. Effects unit - Wikipedia

    en.wikipedia.org/wiki/Effects_unit

    Rackmount effects units are typically built in a thin metal chassis with rack ears designed to be screw-mounted into the rack rails of a 19-inch rack that is standard to the music technology industry. Rackmount effects have a standardized 19-inch width, and height of 1 or more rack unit(s). Devices that are less than 19 inches wide can ...

  6. Sound reinforcement system - Wikipedia

    en.wikipedia.org/wiki/Sound_reinforcement_system

    A sound reinforcement system for a rock concert in a stadium may be very complex, including hundreds of microphones, complex live sound mixing and signal processing systems, tens of thousands of watts of amplifier power, and multiple loudspeaker arrays, all overseen by a team of audio engineers and technicians.

  7. Dynamic range - Wikipedia

    en.wikipedia.org/wiki/Dynamic_range

    Digital audio with undithered 20-bit quantization is theoretically capable of 120 dB dynamic range, while 24-bit digital audio affords 144 dB dynamic range. [6] Most Digital audio workstations process audio with 32-bit floating-point representation which affords even higher dynamic range and so loss of dynamic range is no longer a concern in ...

  8. Naim Audio amplification - Wikipedia

    en.wikipedia.org/wiki/Naim_Audio_amplification

    A Naim Audio system rack. Naim Audio is a specialist British manufacturer of high-end audio amplifiers well known for their self described qualities of "pace, rhythm and timing". [1] [2] The company has a sui generis approach to audio design, ignoring specifications and power ratings as indicators of the quality of an amplifier.

  9. 500-series format - Wikipedia

    en.wikipedia.org/wiki/500-series_format

    The 500-series format is a standardized format for a modular signal processor system consisting of a combination of 500-series modules installed within a 500-series chassis (or rack), with the chassis providing power and audio connections for the individual modules.