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The poem on a gravestone at St Peter’s church, Wapley, England. " Do not stand by my grave and weep " is the first line and popular title of the bereavement poem " Immortality ", presumably written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
Navajo song ceremonial complex. The Navajo song ceremonial complex is a spiritual practice used by certain Navajo ceremonial people to restore and maintain balance and harmony in the lives of the people. One half of the ceremonial complex is the Blessing Way, while the other half is the Enemy Way (Anaʼí Ndááʼ).
[4]: xxii, 156–158 The poem is a conversation over alcohol and cigarettes between an Israeli soldier and the speaker, whose name is Mahmoud, retold in first-person through quotations and reported speech. About half of the poem is the soldier's speech—59 out of 118 lines. [5]: 55–61
Known for. Weaver, artist and medicine man (chanting and sandpainting) Movement. Founded the Wheelwright Museum of the American Indian with Mary Cabot Wheelwright. A weaving based on a Whirling Log ceremony sand painting by Klah, circa 1925. Hosteen Klah (Navajo: Hastiin Tłʼa, 1867– February 27, 1937) [1] was a Navajo artist and medicine man.
Marriage Celebrant Prue Takle describes a sand ceremony as “small vials of coloured sand are poured into a glass bowl or vase. This becomes a many-layered decorative keepsake.”
Footprints in the sand. " Footprints," also known as " Footprints in the Sand," is a popular modern allegorical Christian poem. It describes a person who sees two pairs of footprints in the sand, one of which belonged to God and another to themselves. At some points the two pairs of footprints dwindle to one; it is explained that this is where ...
In Flanders Fields. " In Flanders Fields " is a war poem in the form of a rondeau, written during the First World War by Canadian physician Lieutenant-Colonel John McCrae. He was inspired to write it on May 3, 1915, after presiding over the funeral of friend and fellow soldier Lieutenant Alexis Helmer, who died in the Second Battle of Ypres.
The poem dramatizes the confusion felt by the narrator as he watches the important things in life slip away. [1] Realizing he cannot hold on to even one grain of sand, he is led to his final question whether all things are just a dream.