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John Durand (active 1765–1782) [note 1] was a colonial American portraitist. With John Mare, Abraham Delanoy, and Lawrence Kilburn, he was one of a number of portraitists living and working in New York City during the 1760s. Nothing is known of Durand's origins, training or upbringing, as is often the case with colonial American painters.
Robert Feke (c. 1705 – c. 1752) was an American portrait painter born in Oyster Bay, New York. According to art historian Richard Saunders, "Feke’s impact on the development of Colonial painting was substantial, and his pictures set a new standard by which the work of the next generation of aspiring Colonial artists was judged."
Portrait of a Lady (1764), oil on canvas, in the Metropolitan Museum of Art Lawrence Kilburn (sometimes Kilbrunn or Kilbourn ) (1720–1775) was a painter active in the colony of New York . He was for nearly twenty years the portraitist of choice in New York City , [ 1 ] and is said to have been the first portraitist in the city.
A Boy with a Flying Squirrel (Henry Pelham), or Henry Pelham (Boy with a Squirrel), is a 1765 painting by the American-born painter John Singleton Copley.It depicts Copley's teenaged half-brother Henry Pelham with a pet flying squirrel, a creature commonly found in colonial American portraits as a symbol of the sitter's refinement.
John Singleton Copley / ˈ k ɑː p l i / RA (July 3, 1738 [1] – September 9, 1815) was an Anglo-American painter, active in both colonial America and England. He was believed to be born in Boston, Province of Massachusetts Bay, to Richard and Mary Singleton Copley, both Anglo-Irish.
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Nixon's Cabinet with Kittinger furniture. A number of Kittinger reproductions can still be found in the West Wing office area of the White House in Washington, D.C. Colonial Williamsburg Foundation interior designers were commissioned by President Richard Nixon in 1970 to redo the interior design of the President's offices.
The project took Chuck three years to complete. To be eligible for inclusion in the montage, the settler must have arrived in Victoria before 1843. [1] To obtain the photos, Chuck photographed some of the surviving settlers, borrowed negatives of others and copied them and photographed portraits and paintings of the more famous.