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Bomba Dance in Guaynabo, Puerto Rico. Bomba was developed in Puerto Rico during the early European colonial period. The first documentation of bomba dates back to 1797: botanist André Pierre Ledru described his impressions of local inhabitants dancing and singing popular bombas in Voyage aux îles de Ténériffe, la Trinité, Saint-Thomas, Sainte-Croix et Porto Ricco.
If the term "folk music" is taken to mean music genres that have flourished without elite support [clarification needed], and have evolved independently of the commercial mass media, the realm of Puerto Rican folk music would comprise the primarily Hispanic-derived jíbaro music, the Afro-Puerto Rican bomba, and the essentially "creole" plena.
Margarita "Tata" Cepeda (born 1945) is a Puerto Rican dancer, singer, teacher, and cultural icon known for her lifelong dedication to preserving and promoting the traditional Afro-Puerto Rican music and dance forms of bomba and plena. Affectionately nicknamed "La Mariposa de la Bomba" (The Butterfly of Bomba), Cepeda is celebrated for her ...
They specialize in Afro-Puerto Rican bomba and plena music and related dance forms. In addition to performing, they run a community-based, not-for-profit educational company dedicated to preserving and celebrating Puerto Rican traditional culture and "fostering the legacy and history of Puerto Rican artistic traditions of African and Creole ...
The barril de bomba is a traditional drum used in bomba music of Puerto Rico. The barriles de bomba are built from the wood of rum storage barrels and goatskin, adjusted with tourniquets, screws, cuñas or wedges. At least two drums are required to perform bomba music and dance: a Primo or subidor, the lead drum who follows the dancer, and the ...
The same applies to the spirit of “CAFé CON RON,” built from an Afro-Puerto Rican style of music in collaboration with the musical group, Los Pleneros de La Cresta. The breezier moments come ...
Turning to Traditional Puerto Rican Music. For years, Bad Bunny’s signature songs about sex, pride, and heartbreak have been anchored by reggaeton beats ready-made for perreo in the club. But ...
Cortijo died of pancreatic cancer on October 3, 1982, [2] at his sister Rosa Cortijo's apartment in the Luis Llorens Torres public housing project in Santurce, Puerto Rico. He was buried at Cementerio San José in San Juan, Puerto Rico. He was posthumously inducted into the International Latin Music Hall of Fame. [13]