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Bomba Dance in Guaynabo, Puerto Rico. Bomba was developed in Puerto Rico during the early European colonial period. The first documentation of bomba dates back to 1797: botanist André Pierre Ledru described his impressions of local inhabitants dancing and singing popular bombas in Voyage aux îles de Ténériffe, la Trinité, Saint-Thomas, Sainte-Croix et Porto Ricco.
The performing arts on Puerto Rico have been an important form of cultural expression throughout the history of the island, particularly dance and music. Theatre has also played an integral role in shaping the culture of this Caribbean commonwealth. Puerto Rico's dance and music has emerged from the ritualized celebrations of the island's ...
Significant cultural exchange has been evident between Puerto Rico and the US Virgin Islands, especially the islands of St. Croix, Vieques, and Culebra, such as Puerto Rican style Patois mixed with Spanish. A number of Latin American countries have also exerted influence on Puerto Rico's cultural identity.
The island-wide celebration has been sponsored by the Government of Puerto Rico since at least 1972, [9] when it was codified into Law (Act 20 of April 26, 1972) that the Institute of Puerto Rican Culture was to sponsor the celebration of the Puerto Rican Danza Week every year during the birthday of Juan Morel Campos. [10]
The folklore of Puerto Rico prominently features the blend of music, dance, religion, spirits, monsters, natural forces and the mystery of the unknown. These are often framed within the context of historical circumstances and the multiculturalism that characterizes a military enclave and trading outpost.
Puerto Rican musical instruments such as barriles, drums with stretched animal skin, and Puerto Rican music-dance forms such as Bomba or Plena are likewise rooted in Africa. Bomba represents the strong African influence in Puerto Rico.
Danza is a musical genre that originated in Ponce, a city in southern Puerto Rico. [1] It is a popular turn-of-the-twentieth-century ballroom dance genre slightly similar to the waltz. [2] Both the danza and its cousin the contradanza are sequence dances
Margarita "Tata" Cepeda (born 1945) is a Puerto Rican dancer, singer, teacher, and cultural icon known for her lifelong dedication to preserving and promoting the traditional Afro-Puerto Rican music and dance forms of bomba and plena. Affectionately nicknamed "La Mariposa de la Bomba" (The Butterfly of Bomba), Cepeda is celebrated for her ...