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The Concert for Bangladesh (or Bangla Desh, as the country's name was originally spelt) [1] was a pair of benefit concerts organised by former Beatles guitarist George Harrison and the Indian sitar player Ravi Shankar.
The Concert for Bangladesh (originally spelt The Concert for Bangla Desh) [2] is a live triple album credited to "George Harrison & Friends" [3] [4] and released on Apple Records in December 1971 in the United States and January 1972 in the United Kingdom.
On Aug. 1, 1971, George Harrison leveraged his status as one of the biggest rock ‘n’ roll stars on the planet to help fight a humanitarian crisis that few in the Western hemisphere knew ...
Harrison performed "Beware of Darkness" with Leon Russell at the Concert for Bangladesh in 1971. Eric Clapton performed it in tribute to Harrison at the Concert for George in 2002. The song has also been recorded by Leon Russell, Marianne Faithfull, Spock's Beard, Concrete Blonde, Matthew Sweet and Susanna Hoffs, and Sheryl Crow.
The 1974 tour was the first in North America by a former member of the Beatles since the band's 1966 visit. [5] [8] Raising expectations further among fans and the media, it marked the first live performances by Harrison since his successful staging of the 1971 Concert for Bangladesh shows, [13] which had also featured Shankar and Preston. [14]
The Concert for Bangladesh is a film directed by Saul Swimmer and released in 1972. The film documents the two benefit concerts that were organised by George Harrison and Ravi Shankar to raise funds for refugees of the Bangladesh Liberation War, and were held on Sunday, 1 August 1971 at Madison Square Garden in New York City.
The post Behind Bangladesh: The Day That George Harrison Became the Most Endearing Ex-Beatle appeared first on InsideHook. ... The Concert for Bangladesh, which celebrates its 50th anniversary on ...
"Wah-Wah" was the first song Harrison played live as a solo artist when he performed it as his opener for the Western-music portion of the Concert for Bangladesh, in August 1971. Viewed by some commentators as superior to the studio recording, this version re-created Spector's Wall of Sound treatment in a live setting, using many of the ...