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The Chairs (French: Les Chaises) is a one-act play by Eugène Ionesco, described as an absurdist "tragic farce".It was first performed in Paris in 1952. [1]For Ionesco's Sandaliha (The Chairs), Bahman Mohasses [2] created a number of decorative and expressive chairs that when put together suggested an abstract forest.
The play contains many of Ionesco's common themes, and the characters are typical of his plays. For example, the couple's interaction is similar in many ways to the interaction between the Old Man and the Old Woman in The Chairs; the conflicting background story of the corpse parallels the old couple's conflicting stories about their children.
Eugène Ionesco (French: [øʒɛn jɔnɛsko]; born Eugen Ionescu, Romanian: [e.uˈdʒen joˈnesku] ⓘ; 26 November 1909 – 28 March 1994) was a Romanian-French playwright who wrote mostly in French, and was one of the foremost figures of the French avant-garde theatre in the 20th century.
The Hermit follows an unnamed middle-aged Frenchman—a solitary, ineffectual clerk—who inherits a great deal of money after the death of his American uncle. He responds to this sudden wealth by quitting the job he has been working at for 15 years, and moving to a very nice apartment in the suburbs, where he bathes and shaves, reads the newspaper, eats lunch, dinner, drinks too much, thinks ...
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Rhinoceros (French: Rhinocéros) is a play by playwright Eugène Ionesco, written in 1959.The play was included in Martin Esslin's study of post-war avant-garde drama The Theatre of the Absurd, although scholars have also rejected this label as too interpretatively narrow.
Waiting for Godot, a herald for the Theatre of the Absurd. Festival d'Avignon, dir. Otomar Krejča, 1978.. The theatre of the absurd (French: théâtre de l'absurde [teɑtʁ(ə) də lapsyʁd]) is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s.
La Cantatrice chauve – translated from French as The Bald Soprano or The Bald Prima Donna – is the first play written by Romanian-French playwright Eugène Ionesco. Nicolas Bataille directed the premiere on 11 May 1950 at the Théâtre des Noctambules, Paris.