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Kodak Vision3 Color Digital Intermediate Film 2010 no: Recording film. 2332 Kodak Color Asset Protection Film 2012 2014 Recording film. ESTAR-based. Optimized for productions that originate or are finished digitally. 2237 Kodak Vision3 Digital Separation Film 2012 no: Black-and-white recording film. ESTAR-based.
On Kodak film stocks, it remains consistent for the entire roll. Fuji Stocks will increment this number when the frame number advances past "9999". Computers read the (optional) frame offset (marked every four perforations on actual film by a single "-" dash) by adding digits to the Keykode after the plus sign.
Eastman Color Positive (ECP) is a photographic processing system created by Kodak in the 1950s for the development of monopack color positive print for direct projection motion picture film stock. It is part of the Eastmancolor family of products sold by Kodak.
Eastman Kodak introduced their first 35mm color negative stock, Eastman Color Negative film 5247, in 1950. [9] A higher quality version in 1952, Eastman Color Negative film 5248, was quickly adopted by Hollywood for color motion picture production, replacing both the expensive three-strip Technicolor process and Monopack.
70 mm film (or 65 mm film) is a wide high-resolution film gauge for motion picture photography, with a negative area nearly 3.5 times as large as the standard 35 mm motion picture film format. [1] As used in cameras, the film is 65 mm (2.6 in) wide. For projection, the original 65 mm film is printed on 70 mm (2.8 in) film.
To project the film a projector was required fitted with the Kodacolor Projection Filter, which is identical in effect to the filter fitted to the camera. The black and white lenticular image on the film is reconstituted into a natural color picture on the screen.