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An eighth note or a quaver is a musical note played for one eighth the duration of a whole note (semibreve). Its length relative to other rhythmic values is as expected—e.g., half the duration of a quarter note (crotchet), one quarter the duration of a half note (minim), and twice the value of a sixteenth note.
In musical notation, a beam is a horizontal or diagonal line used to connect multiple consecutive notes (and occasionally rests) to indicate rhythmic grouping. Only eighth notes (quavers) or shorter can be beamed. The number of beams is equal to the number of flags that would be present on an unbeamed note.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The notes from two such seventh-chords combination form an octatonic collection. Because there are three ways to select two from three, there are three octatonic scales in the twelve-tone system. Each octatonic scale has exactly two modes : the first begins its ascent with a whole step , while the second begins its ascent with a half step ...
8 (six beats per bar, with each beat being an eighth note) and 12 8 (twelve beats per bar, with each beat being an eighth note; in practice, the eighth notes are typically put into four groups of three eighth notes. 12 8 is a compound time type of time signature). Many other time signatures exist, such as 2 2 or 3 8.
It is made up of seven distinct notes, plus an eighth that duplicates the first an octave higher. The pattern of seven intervals separating the eight notes is T–T–S–T–T–T–S. In solfège, the syllables used to name each degree of the scale are Do–Re–Mi–Fa–Sol–La–Ti–Do.
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The system of note types used in mensural notation closely corresponds to the modern system. The mensural brevis is nominally the ancestor of the modern double whole note (breve); likewise, the semibrevis corresponds to the whole note (semibreve), the minima to the half note (minim), the semiminima to the quarter note (crotchet), and the fusa to the eighth note (quaver).