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The Most Important Art: Soviet and East European Film After 1945. Berkeley, CA: University of California Press. ISBN 9780520361430. Passek, Jean-Loup, ed. (1981). Le cinéma russe et soviétique. Paris: Centre national d'art et de culture Georges Pompidou. ISBN 978-2-86425-026-5. OCLC 8765654.
Socialist Realism was the official doctrine of art produced in the Soviet Union, through which the emerging medium of film took prominence. The doctrine mandated an idealized depiction of society under socialism , with Soviet film of the era conforming to standards approved by the First Congress of Soviet Writers.
Soviet parallel cinema is a genre of film and underground cinematic movement that occurred in the Soviet Union in the 1970s onwards. The term parallel cinema (known as parallel’noe kino) was first associated with the samizdat films made out of the official Soviet state system. [ 1 ]
the Soviet Union; Russian Empire 1908–1917; ... Soviet films online at Russian Film Hub This page was last edited on 30 July 2023, at 16:15 (UTC). Text is ...
Lost film On the Red Front: На красном фронте: Lev Kuleshov: Aleksandra Khokhlova, Lev Kuleshov, Leonid Obolensky, A. Reich: Adventure: Story of Seven Who Were Hanged: Рассказ о семи повешенных: Pyotr Chardynin, Nikolai Saltykov: Dora Chitorina, Nikolai Saltykov, Yakov Morin, Karl Tomsky, Sergei Tsenin ...
Soviet film people (9 C, 1 P) Film production companies of the Soviet Union (1 C) S. Films scored by Soviet composers (29 C) Pages in category "Cinema of the Soviet ...
The Department of Radio–Television–Film at the University of Texas at Austin located in Austin, Texas, is one of the five departments comprising the Moody College of Communication. The department was founded in 1965 and has become one of the nation's premiere film schools , consistently ranking in the top 5 for graduate programs and the top ...
It was the creation of the auteur theory, which examines film as the director's vision and art, that broadened the scope of academic film studies to a worldwide presence in the 1960s. In 1965, film critic Robin Wood , in his writings on Alfred Hitchcock , declared that Hitchcock's films contained the same complexities of Shakespeare 's plays. [ 3 ]