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[135] [136] Davis being a fan of Giger's work, the initial idea of a special microphone stand was suggested to him by his personal assistant Jonathan Pavesi. [137] Then, Davis contacted Giger and was pleased when the Swiss artist accepted a commission to come up with a design for the mic stand.
In the end, Jonathan takes the boy into the TV. The video for "Here to Stay" also marks the first video appearance of Jonathan's unique microphone stand designed by H. R. Giger. There is also a "clean" version of the music video which shows the boy being taken into the TV at the beginning.
Korn's Jonathan Davis commissioned Giger to design and sculpt a microphone stand, with the requirement that it be biomechanical, erotic, and movable. The contract allowed for five aluminium microphone stands to be made, but Davis purchased only two of the three to which he was entitled.
The bagpipes on "Shoots and Ladders" are often thought to have been recorded on a mountain-top. However, they were actually recorded with a microphone set up at the back door of the studio while Jonathan Davis walked past outside playing. As he walked further from the microphone, this led to the sound naturally fading quieter. [9]
The "Oildale" song is just that. The main groove of it is me hitting the floor tom and all the kicks are on the upbeats" [19] Davis also remarked that he "didn't stack four or five vocal parts like" he usually does. He's "singing one part for every song, which was scary." It's just him "and the microphone, and you can really hear the emotion". [24]
According to guitarist Munky, the title of the song was based on the death of Deven Davis, Jonathan Davis' wife, after a considerably long battle with drug addiction. [ 1 ] While available as part of the album upon its release on September 13, 2019, and first played live in LA later that month, [ 2 ] Finally Free would not see release as a ...