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Ciné-Kodak Special, film transport section only. Earlier Kodak 16 mm movie cameras, including the Ciné-Kodak Models B, F and K, shared a common design, being rectangular boxes with a top-mounted handle and a lens extending from the smallest side, similar in shape to a briefcase but smaller. [1]
A 16 mm spring-wound Bolex camera A modern 16 mm Arri camera. The professional industry tends to use 16 mm cameras from Aaton and Arri, most notably the Aaton Xtera, Aaton XTRprod, Arriflex 16SR3, and Arriflex 416. Aaton also released the A-Minima, which is about the size of a video camcorder and is used for specialized filming requiring ...
Minolta 16 II, 1960 Minolta 16 QT, 1972 Minolta 16 P, 1960. Minolta 16 refers to a line of 16mm subminiature cameras made by Minolta between 1955 and 1974. The negative size was 10x14 mm for the earlier models, later, a larger format, 12x17 mm was adopted, using single-perforated 16 mm film.
The Ciné-Kodak was the first movie camera for 16 mm, manufactured by the Eastman Kodak Company and introduced in 1923. [1] It was intended for home movie making. Kodak released additional models, including magazine-loading cameras as the Magazine Ciné-Kodak line and a line of 8 mm cameras under the Ciné-Kodak Eight sub-brand.
Constructed to work with 16mm film with either one-sided or two-sided perforation wound on a reel, the camera's reel capacity was designed to handle 30m or 100ft of film. . The camera is equipped with a three-lens rotary turret which allowed for quick and easy switching between lens
An Arriflex 16SR camera 16 mm camera. The Arriflex 16SR is a motion picture camera product line created by Arri, introduced in 1975.This 16SR camera series is designed for 16 mm filmmaking in Standard 16 format.