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India accepted the convention on 14 November 1977, making its sites eligible for inclusion on the list. [3] There are 43 World Heritage Sites in India. Out of these, 35 are cultural, seven are natural, and one, Khangchendzonga National Park, is of mixed type, listed for both cultural and natural properties. India has the sixth-most sites worldwide.
[4] [5] One example of many is the Rock art of the Chumash people, part of the Native American history of California. In 2011, UNESCO's World Heritage List added "Petroglyph Complexes of the Mongolian Altai, Mongolia" [6] to celebrate the importance of the pictograms engraved in rocks.
One common form of pictograph, found in many, although not all rock-art producing cultures, is the hand print. There are three forms of this; the first involves covering the hand in wet paint and then applying it to the rock. The second involves a design being painted onto the hand, which is then in turn added to the surface.
Raja Balwant Singh’s Vision of Krishna and Radha by Nainsukh. Jasrota, c. 1745-1750. Metropolitan Museum of Art. The Kangra art style originated in Guler State, a small hill princely state in the Lower Himalayas in the first half of the 18th century when a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler.
Pictographs then began to appear on clay tablets around 4000 BCE, and after the later development of Sumerian cuneiform writing, a more sophisticated partial syllabic script evolved that by around 2500 BCE was capable of recording the vernacular, the everyday speech of the common people. [7] Sumerians used what is known as pictograms. [5]
Generally, with the evolution of the script, the forms of pictographs became less directly representational, to the extent that their referents are no longer plausible to intuit. Examples include 田 'field'，and 心 'heart'. Indicatives (指事字 zhǐshìzì) like 上 'up' and 下 'down', or numerals like 三 'three'.
Kurt Schwitters, Das Undbild, 1919, Staatsgalerie Stuttgart. Collage (/ k ə ˈ l ɑː ʒ /, from the French: coller, "to glue" or "to stick together"; [1]) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole.
The Indus script, also known as the Harappan script and the Indus Valley script, is a corpus of symbols produced by the Indus Valley Civilisation.Most inscriptions containing these symbols are extremely short, making it difficult to judge whether or not they constituted a writing system used to record a Harappan language, any of which are yet to be identified. [3]