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1955 Twin-Amp, model 5E8. Dual rectifiers and 6L6 power tubes, twin 12" speakers. After the preceding looks of the early 1950s (TV front from 1950 to 51/2; wide panel '52–54), Leo Fender changed the cabinet design again, this time opting for no extra wood on the front of the amp, except for the narrow top and bottom panels that hold the baffle board to the cabinet.
The specifications for these amplifiers, and leadership of the design team, came from Paul Rivera (then marketing director) and are known as Fender Rivera era amplifiers. Some amplifiers in the series used the II moniker; the Champ II, Princeton Reverb II, Deluxe Reverb II and Twin Reverb II, while others such as the Concert and Super Champ did ...
Fender Jaguar Bass; Fender Jazz Bass [16] Fender Mustang Bass [17] Fender Precision Bass [18] Fender Telecaster Bass [19] (once replaced as Squier Vintage Modified Precision Bass TB then Classic Vibe '50s Precision Bass) Fender Meteora Bass
The speaker configuration remained 4-10" speakers usually made by either Jensen or Oxford (for the earlier models) as opposed to Utah or CTS (for the later models). The Concert joined the Fender Twin Amp, and Fender Vibrasonic as the only models with the more robust and expensive "large-iron" output transformers. Over this period, the Concert ...
The output transformer was an initial weak point in the design as they tended to short out and fail under the increased power after 1958 when the Super regained its 40 watts of muscle thanks to the return to 6L6/5881 power tubes. As a result, Fender began using Woodward-Schumacher 4-ohm transformers (stamped 125A6A).
The Fender Super Reverb is a guitar amplifier made by Fender. It was originally introduced in 1963 and was discontinued in 1982. The Super Reverb was a Fender Super amplifier with built-in reverb and "vibrato" (actually tremolo). The original Super Reverb amplifiers were all-tube designs and featured spring reverb.