Ads
related to: guitar amps with distortion center reviews for beginners free youtube
Search results
Results From The WOW.Com Content Network
The JCM800 series (Models 2203, 2204, 2205, and 2210) is a line of guitar amplifiers made by Marshall Amplification.The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in 1981.
The 5150 was based on the Soldano SLO-100 which Eddie Van Halen was using at the time and designed to provide high gain saturation as well as a clean channel. [5]While the product was designed around a centered printed circuit board (PCB), its cascading five preamps (actually four preamplifiers and one phase inverter) and four gain stages were implemented in a very simple manner.
Mesa-Boogie Mark IV, a guitar combo amplifier. A guitar amplifier (or amp) is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet.
Throughout the decade, Mesa continued to produce combo and head amplifiers, and began production of rack power and pre-amps, developing power amplifiers such as the M180/190 and Strategy series, as well as pre-amps such as the Quad and Studio. Other models developed in the 1980s included the Mark III, Mark IV, the Son of Boogie, and the Studio .22.
The Fly 3 is a series of 3-watt compact amplifiers powered by batteries or an external supply. It is available in three types: for electric guitar featuring switchable distortion, ISF (see above) and digital echo; acoustic guitar with switchable EQ and delay; and bass with sub-bass control and a compressor.
Clapton asked Jim Marshall to produce a combo amplifier with tremolo, which would fit in the boot of his car, and one of the most famous Marshall amps was born, the "Bluesbreaker" amp. [7] This is the amplifier, in tandem with his 1960 Gibson Les Paul Standard (the "Beano"), that gave Clapton that famous tone on the John Mayall & the ...