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Roman tonsure (Catholicism) Tonsure (/ ˈ t ɒ n ʃ ər /) is the practice of cutting or shaving some or all of the hair on the scalp as a sign of religious devotion or humility.. The term originates from the Latin word tonsura (meaning "clipping" or "shearing" [1]) and referred to a specific practice in medieval Catholicism, abandoned by papal order in 19
Celtic art has used a variety of styles and has shown influences from other cultures in their knotwork, spirals, key patterns, lettering, zoomorphics, plant forms and human figures. As the archaeologist Catherine Johns put it: "Common to Celtic art over a wide chronological and geographical span is an exquisite sense of balance in the layout ...
Pages in category "Celtic art" The following 48 pages are in this category, out of 48 total. This list may not reflect recent changes. ...
Trade-links with Britain and Northern Europe introduced La Tène culture and Celtic art to Ireland by about 300 BC, but while these styles later changed or disappeared elsewhere under Roman subjugation, Ireland was left alone to develop Celtic designs: notably Celtic crosses, spiral designs, and the intricate interlaced patterns of Celtic knotwork.
Tricephalic head found at Roquepertuse, a major Celtic religious centre dated to the 3rd century BC The three faced Corleck Head, Irish, 1st century AD. Celtic stone idols are Northern European stone sculptures dated to the Iron Age, that are believed to represent Celtic gods. The majority contain one or more human heads, which may have one or ...
The Aberlemno I roadside symbol stone, Class I Pictish stone with Pictish symbols, showing (top to bottom) the serpent, the double disc and Z-rod and the mirror and comb. The Picts were a group of peoples in what is now Scotland north of the Firth of Forth, in the Early Middle Ages. [1]
Both men's and women's clothing was trimmed with bands of decoration, variously embroidery, tablet-woven bands, or colourful borders woven into the fabric in the loom. [ 6 ] : 309–315 [ 7 ] The famous Anglo-Saxon opus anglicanum needlework was sought-after as far away as Rome.
The style is most commonly associated with the Celtic lands, but it was also practiced extensively in England and was exported to Europe by Irish and Northumbrian monastic activities on the continent. J. Romilly Allen has identified "eight elementary knots which form the basis of nearly all the interlaced patterns in Celtic decorative art". [4] [5]