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Elena Farago (born Elena Paximade; 29 March 1878 – 3 January 1954) was a Romanian poet and children's author. She also translated works by Ibsen , Nietzsche , Maeterlinck and numerous others into Romanian .
The first essay relates between two ways of writing, one precise and disciplined, and one more convulsive. The margins between them become a metaphor for the tension in her writing between “careful” precision and a more “unruly” instinct, where the words “erupt” and overflow, as she says, drawing on volcanic imagery. [2]
Eleanor Farjeon (13 February 1881 – 5 June 1965) was an English author of children's stories and plays, poetry, biography, history and satire. [1] Several of her works had illustrations by Edward Ardizzone. Some of her correspondence has also been published.
While he initially belonged to the local Symbolist movement, his poetry came to be seen as a precursor of Romanian Modernism. Some important literary figures of this period were also active in other domains. Vasile Voiculescu was a Romanian poet, short-story writer, playwright, and physician. Ion Barbu was a poet, as well as an important ...
Farago, Faragò or Faragó is the surname of the following people: Andrew Farago (born 1976), American museum curator and author; Clara Faragó (1905–1944), Hungarian chess master; Elena Farago (1878–1954), Romanian poet, translator and children's author; Iván Faragó (1946–2022), Hungarian chess grandmaster; János Faragó (1946–1984 ...
Profira Sadoveanu (pen name Valer Donea; 21 May 1906 – 3 October 2003), [1] also credited as Profirița [2] and known after her marriage as Sadoveanu Popa, [3] [4] was a Romanian prose writer and poet, noted as the daughter, literary secretary, and editor of the celebrated novelist Mihail Sadoveanu.
Magazine logo, issue no. 12, dated March 20, 1905. The paper is published Supt direcția unui comitet ("Under the direction of a committee"). Published in the capital Bucharest, Sămănătorul was co-founded by two already established writers, Alexandru Vlahuță, from the "Old Kingdom", and the Transylvanian-born George Coșbuc, in late 1901.
Progressively after that date, the Poporanist circle opened itself toward those representatives of Symbolist poetry who had parted with Densusianu's branch, upholding Arghezi as a major Romanian author. [152] It also provided exposure to distinct representatives of feminine Symbolist poetry, illustrated there by Alice Călugăru or Farago. [153]