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This includes artists who have either been very important to the funk genre or have had a considerable amount of exposure (such as in the case of one who has been on a major label). Bands are listed by the first letter in their name (not including the words "a", "an", or "the"), and individuals are listed by last name.
Go-go is a subgenre of funk music with an emphasis on specific rhythmic patterns, and live audience call and response.. Go-go was originated by African-American musicians in Washington, D.C., during the mid-1960s to late-1970s.
Stacker identified 20 music legends from the '70s who still perform today. ... The result was an evolution of pop music that incorporated elements of funk, rock, soul, R&B, and jazz. The band ...
The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Their original songs "Cissy Strut" and "Look-Ka Py Py" are considered funk classics. [1]
Funkadelic was an American funk rock [1] band formed in Plainfield, New Jersey in 1968 and active until 1982. As one of the two flagship groups of George Clinton's P-Funk collective, they helped pioneer the funk music culture of the 1970s.
Faze-O was a late 1970s funk group based in Dayton, Ohio [1] and produced by Clarence Satchell of the Ohio Players, for whom it was the front band during many live performances. [2] Their 1977 song "Riding High" has been sampled by hip hop artists.
Disco, denim, bell bottoms, flower power, funk and decades of fabulous music. The 1970s: What a time to be alive. For those growing up in that era, life was all about being young and wild and free.
"Fire" is a song by R&B/funk band Ohio Players. It was the opening track from the album of the same name and hit No. 1 on both the Billboard Hot 100 and the Hot Soul Singles chart in early 1975. [3] It spent two weeks atop the soul chart. "Fire" was the Ohio Players' only entry on the new disco/dance chart, where it peaked at No. 10. [4]