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Rachel Ruysch (3 June 1664 – 12 October 1750) [1] was a Dutch still-life painter from the Northern Netherlands. She specialized in flowers, inventing her own style and achieving international fame in her lifetime. Due to a long and successful career that spanned over six decades, she became the best documented female painter of the Dutch ...
Rachel Ruysch had many followers. At some point in the 18th-century, this painting was copied, and the copy is kept at the Ashmolean museum.A well-documented copyist of Ruysch's works was the Dutch painter Catharina Backer, who also owned two of Ruysch's paired large canvases, commissioned by her father-in-law, the art collector Pieter de la Court van der Voort, in 1710.
Spray of flowers, with a beetle on a stone balustrade: 1741: 20 cm x 24.5 cm: 1100: Kunstmuseum Basel: Basel Flower still life: 1742: 45.1 cm x 39.1 cm: Private collection: Flower bouquet on a marble table: 1746: Kurpfälzisches Museum der Stadt Heidelberg: Heidelberg Flower still life: 75 cm x 58.5 cm: LSH DIG4506: Hallwyl Museum: Stockholm
National Museum of Women in the Arts, Washington, D.C. Roses, Convolvulus, Poppies and Other Flowers in an Urn on a Stone Ledge (1688) is an oil on canvas painting by the Dutch painter Rachel Ruysch. It is an example of Dutch Golden Age painting and is now in the collection of the National Museum of Women in the Arts, in Washington, D.C. .
Pages in category "Paintings by Rachel Ruysch" The following 2 pages are in this category, out of 2 total. ... Still Life with Flowers on a Marble Slab
Johannes Vermeer, The Milkmaid (1658–1661) Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, [1] during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence. The new Dutch Republic was the most prosperous nation in Europe and led ...
Rachel Ruysch (1 C, 2 P) Pages in category "Dutch still life painters" The following 114 pages are in this category, out of 114 total.
In the North, these practitioners included Clara Peeters, a painter of banketje or breakfast pieces, and scenes of arranged luxury goods; Maria van Oosterwijk, the internationally renowned flower painter; and Rachel Ruysch, a painter of visually charged flower arrangements. In other regions, still life was less common, but there were important ...