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String piano is a term coined by American composer-theorist Henry Cowell (1897–1965) to collectively describe pianistic extended techniques in which sound is produced by direct manipulation of the strings, instead of or in addition to striking the piano's keys. Pioneered by Cowell in the 1920s, such techniques are now often called upon in the ...
The Railsback curve shows how a piano tuned to compensate for inharmonicity deviates from theoretically correct equal-tempered tuning. The Railsback curve, first measured in the 1930s by O.L. Railsback, a US college physics teacher, expresses the difference between inharmonicity-aware stretched piano tuning, and theoretically correct equal-tempered tuning in which the frequencies of successive ...
Synth1 is a software synthesizer designed by KVR user Daichi (Real name: Ichiro Toda 戸田一郎 [1]).It was originally designed as an emulation of the Nord Lead 2 synthesizer, and has since become a unique Virtual Studio Technology instrument and one of the most downloaded VST plug-ins of all time.
Cross-stringing (sometimes called overstringing) is a method of arranging piano strings inside the case of a piano so that the strings are placed in a vertically overlapping slanted arrangement, with two heights of bridges on the soundboard instead of just one.
The strings play col legno, striking the wood of their bows on the strings, in addition to numerous other techniques (Boyden 2001). François-Adrien Boieldieu; Le calife de Bagdad (opera, 1800), strings play col legno (Favre and Betzwieser 2001). Benjamin Britten; Passacaglia from Peter Grimes, rehearsal 6, "agitato", (pp. 16–17 of the score).
string piano, i.e. hitting or plucking the strings directly or any other direct manipulation of the strings; sound icon, i.e. placing a piano on its side and bowing the strings with horsehair and other materials; whistling, singing or talking into the piano (with depressed sustain pedal) silently depressing one or more keys, allowing the ...
Aliquot stringing is the use of extra, un-struck strings in a piano for the purpose of enriching the tone. Aliquot systems use an additional (hence fourth) string in each note of the top three piano octaves. This string is positioned slightly above the other three strings so that it is not struck by the hammer.
In the acoustic piano, harpsichord, and clavichord, the vibrating element is a metal wire or string; in many non-digital electric pianos, it is a tapered metal tine (Rhodes piano) or reed (Wurlitzer electric piano) with one end clamped and the other free to vibrate.