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In 1982, its license renewal was designated for hearing alongside a competing proposal for the frequency from Metro Broadcasting, Inc. [7] [3] While WBBY initially was to lose its license, [8] Metro dropped out of the running when it was bought out by Nourse, and the administrative law judge approved the renewal of WBBY's license despite a new ...
Associated Students of Montana Tech did file a license renewal application for KMSM-FM in December 2020, in which it noted the station's silence and several omissions in its public inspection file. [18] Effective October 18, 2022, Associated Students of Montana sold KMSM-FM to Cameron Maxwell's Desert Mountain Broadcasting Licenses LLC for $45,000.
In May 1978, the FCC in a 6–0 decision upheld the law judge's findings and the denial of the renewal application, saying that WBRL's scheme had run for more than three years and enabled retailers to overcharge manufacturers more than $22,000; while Blais had known of the issues since buying the station, general manager Robert T. Dale, who had ...
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After the short-term license renewal was granted, Bigham sold KCTY to JECO, a company controlled by James E. Coyle, for $256,000. Coyle specialized in Spanish-language media and had been involved with two Spanish-language radio stations in the Los Angeles area—a good fit for KCTY, which had now become a Spanish-language station. [10]
WUCI-FM's license came up for renewal in 1991, creating an opportunity for potential new bidders to offer competing station proposals for 91.5 FM in Binghamton. In 1992, the Federal Communications Commission designated WUCI-FM's renewal application for hearing alongside two such proposals, from Arrowhead Christian Center and WSKG. [28]
After the FCC revoked the KISN license, four applications were received for the vacated frequency, from Rose Broadcasting, Viking Vancouver, Fort Vancouver Broadcasting and Longwood Broadcasting; the agency designated these applications for comparative hearing on July 12, 1978. [30]
The prime intervenor in these proceedings was Martin Boroditsky, an investigative journalist who had been hired before the renewal of the licence to provide required spoken word programming, and who was mainly concerned with the conversion to a commercial music and promotion format and the total absence of any enrolled broadcasting students. [4]