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The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition.The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded equally often in a piece of music while preventing the emphasis of any one note [3] through the use of tone rows, orderings of the 12 pitch classes.
The series of twelve notes known as the twelve lü were simply a series of fundamental notes from which scales could be constructed." [ 8 ] However, "from the standpoint of tonal music [the chromatic scale] is not an independent scale, but derives from the diatonic scale," [ 2 ] making the Western chromatic scale a gamut of fundamental notes ...
Tales and Songs from the Bible of Hell four singers with real-time electronic transformation and pre-recorded 4 track tape (1979) Trois Visages à Liège electronic music (1961) Votre Faust (1960–68), opera for five actors, four singers, twelve instruments, and electronic music, libretto by Michel Butor. Plus related "satellite" works:
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
He also named these 12 pieces Cypresses. [2] The 12 pieces he selected from B. 11 are Nos. 2–4, 6–9, 12, 14, and 16–18; the original songs are for solo voice and piano, and are settings of poems by Gustav Pfleger Moravský from the collection "Cypresses" (hence the title). [3]
12-tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. 12 equal temperament (12-ET) [a] is the musical system that divides the octave into 12 parts, all of which are equally tempered (equally spaced) on a logarithmic scale, with a ratio equal to the 12th root of 2 (≈ 1.05946).
It is appropriate that Sonnet 8, a sonnet of musical descant, is placed as the 8th sonnet, since an "eight" is a "true concord." Sonnet 128,like Sonnet 8, suggests the octave of the scale as well as, in the case of 128 the 12 notes on the keyboard inside each octave (an association first recognized and described in detail by Fred Blick, in ...
Because of that, all notes with these kinds of relations can be grouped under the same pitch class and are often given the same name. The top note of a musical scale is the bottom note's second harmonic and has double the bottom note's frequency. Because both notes belong to the same pitch class, they are often called by the same name.