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A bhajan is a Hindu devotional song, often of ancient origin. Bhajans are often simple songs in lyrical language expressing emotions of love for the Divine, whether for a single God and Goddess, or any number of divinities. [2] Many bhajans feature several names and aspects of the chosen deity, especially in the case of Hindu sahasranamas ...
Bhajan refers to any devotional song with a religious theme or spiritual ideas, specifically among Dharmic religions, in any language. [1] The term bhajanam ( Sanskrit : भजनम्) means reverence and originates from the root word bhaj (Sanskrit: भज्), which means to revere , as in 'Bhaja Govindam' ( Revere Govinda ) .
Song Film Music Composer Singer(s) Lang; Ābhēri (Carnatic) Bhimpalasi (Hindustani) Maname Ganamum [TH - A Raga's Journey 1] Savitri Papanasam Sivan: M. S. Subbulakshmi: Ābhēri / Bhimpalasi "Bina Madhur Madhur Kachhu Bol" Ram Rajya (1943 film) Shankar Rao Vyas Saraswati Rane: Hindi: Ābhēri / Bhimpalasi "Duniya Se Ji Ghabra Gaya" Laila ...
Vidyabhushana is a vocalist from Karnataka.He sings devotional songs, chiefly Haridasa compositions, [1] and carnatic classical music.He has many albums to his credit, mainly devotional songs in Kannada, Tulu and has given concerts all over the world. [2]
Song Composer(s) Writer(s) Co-artist(s) Ek Teri Nishani "Chupke Chupke Mast Nigaahen" Shardul Kwatra A Shah solo "Teri Kaafir Jawani Ko" Pandit Amarnath Sharshar Sailani Karwat "Baadal Ghir Aaye, Rimjhim Paani Barse" Hansraj Behl D. N. Madhok Geeta Dutt Lekh "Kahin Bhi Aaj Muhabbat Nahin" M. A. Krishan Dayal Qamar Jalalabadi solo
Santram Mandir is a Hindu temple situated in Nadiad, Gujarat, India.It is run by the Santram Maharaj organization which draws from a Hindu religious figure in Gujarat. The Santram mandir runs trusts for humanitarian activities like Eye Hospital, Physiotherapy Center, Dispensary, Radiology Center, Pathology & Laboratory as well as various other services which is countless.
Essentially a tribute to Krishna, its form includes devotional renditions like kirtans, bhajans and bhava nritya, all related to religious worship. Although a mix of classical and folk music, the style is inherently borrowed from the dhrupad and dhamar .
His typical recital comprised khyal ragas and an assortment of dadra, tappa, thumri, bhajan, songs from Marathi stage plays, and traditional Marathi light classical forms. He also had a successful career as the music director of Kirloskar Natak Mandali and, afterwards, of Gandharva Natak Mandali. [ 8 ]