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Leandro "Gato" Barbieri (November 28, 1932 – April 2, 2016) was an Argentine jazz tenor saxophonist who rose to fame during the free jazz movement in the 1960s and is known for his Latin jazz recordings of the 1970s. [1]
The Allmusic site awarded the album 3 stars stating "The Third World is the initial session that mixed Gato Barbieri's free jazz tenor playing with Latin and Brazilian influences. ...creating a danceable yet fiery combination of South American rhythms and free jazz forcefulnes".
AllMusic awarded the album 3 stars stating "Under Fire is Gato Barbieri in his early-'70s prime, when the Argentinean tenorman's transition from the avant-garde to exploring his South American continental routes still hadn't passed beyond the pale into flaccid fusion".
The AllMusic site awarded the album 4½ stars, stating that "at this point in 1971, well before the Muppets would create a caricature out of him, Barbieri was absolutely smoking, and for a certain style of rhythmic free jazz, this is a captivating album indeed".
Gato Barbieri - tenor saxophone; Randy Brecker, Bob McCoy, Victor Paz - trumpet, flugelhorn; Buddy Morrow - trombone; Alan Raph - bass trombone; Ray Alonge, Jim Buffington - French horn; Howard Johnson - tuba, flugelhorn, bass clarinet, baritone saxophone; Seldon Powell - piccolo, flute, alto flute, alto saxophone, baritone saxophone
The Allmusic site awarded the album 4 stars stating "Gato Barbieri leads his fantastic group of musical friends with hurricane-like flair on his tenor sax. At times surreal and mind-boggling, Barbieri shows just how far one can let the music go to break the borders of jazz, sending his music into fresh and uncharted territory".
Liberation Music Orchestra is a band and jazz album by Charlie Haden released in 1970, Haden's first as a band leader. ... Gato Barbieri — tenor saxophone, clarinet;
The Allmusic review by Thom Jurek awarded the album 4 stars stating "Chapter 4: Alive in New York is one of Barbieri's finest moments on record". [2] The Penguin Guide to Jazz Recordings gives the album a “crown” in addition to a maximum four-star rating, calling it “a classic, iconic album of the ‘70s”.