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The practice of wearing earrings was a tradition for Ainu men and women, [13] but the Government of Meiji Japan forbade Ainu men to wear earrings in the late-19th century. [14] Earrings were also commonplace among nomadic Turkic tribes and Korea. Lavish ear ornaments have remained popular in India from ancient times to the present day.
Akan art is known for vibrant artistic traditions, including textiles, sculpture, Akan goldweights, as well as gold and silver jewelry. The Akan people are known for their strong connection between visual and verbal expressions and a distinctive blending of art and philosophy. [ 1 ]
Typically Roman men wore less jewelry than their female counterparts. Finger rings and fibulae were the most common forms of jewelry worn by men, but they would also sometimes wear pendants. Roman men, unlike Greek men, wore multiple rings at once. [8] Golden rings were reserved for men of senatorial rank. [10]
Yemenite silver-work is noted for its intricate use of filigree and fine granulation. [2] [6] Jewellery containing a high silver content was called ṭohōr by local Jews, or muḫlaṣ in Arabic, and referred to jewellery whose silver content ranged from 85 to 92 percent, while the rest was copper.
The silver ornaments collection includes a 19th-century mirror work necklace in emerald green and white, a silver sehra (an ornament to be tied on a bridegroom's forehead) from Himachal Pradesh, hairpins, mathapattis (head ornaments in the form of bands, mostly for brides), karnaphools (earrings and ear cuffs), hastphools (hand jewellery), pair ...
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