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It transferred to the off-Broadway New World Stages within weeks of ending its Broadway run, where it played until 2019; together, the two productions played 6,569 performances. [2] Major productions have been staged in Las Vegas and the West End , and the musical has been staged and toured in several countries around the world.
Desilu, the company owned by Ball and her soon-to-be ex-husband Desi Arnaz, ultimately invested $360,000 in the show in exchange for 36% of the net profits, the rights to the original cast recording (ultimately released by RCA Victor), and television rights for musical numbers to be included in a special titled Lucy Goes to Broadway, a project ...
Blast! is a Broadway production created by James Mason for Cook Group Incorporated, the director and organization formerly operating the Star of Indiana Drum and Bugle Corps. It was the 2001 winner of the Tony Award for " Best Special Theatrical Event ", [ 1 ] and simultaneously received a Tony Award nomination [ 2 ] for and won the 2001 Emmy ...
Ben Brantley, in his review for The New York Times, called the musical "bright and bouncy", "a real-live, old-fashioned, deeply satisfying Broadway musical in a way few new shows are anymore." Of Brown's score, he wrote: "His songs seamlessly propel plot and define character in the way numbers did in the heyday of Rodgers and Hammerstein." [17]
All Shook Up is a 2004 American jukebox musical with music from the Elvis Presley songbook and with a book by Joe DiPietro.. The show concerns the repressed residents of an unnamed American town in the 1950s who experience an awakening when a leather-clad guitar-strumming roustabout rolls into town.
In 2017 Everybody Loves Lucy embarked on a regional Australian tour with Jayde Westaby in the role of Miss Ball as McCann was performing around the country in Matilda the Musical. [2] McCann is most well known for originating the role of Miss Honey in the Australian cast of The Royal Shakespeare Company (RSC) production of Matilda the Musical.
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The original Broadway cast album was released on the Atlantic label (7 80110-2-1) in 1983, running 55:15. William Ruhlmann wrote: "As heard here, then, the music is basically a Gershwin sampler, as performed largely by Tune (leaning heavily on his Texas accent) and Twiggy (singing in a rather mannered British croon), with added appearances by ...