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While not as widespread in contemporary art, anamorphosis as a technique has been used by contemporary artists in painting, photography, printmaking, sculpture, film and video, digital art and games, holography, [1] street art and installation. The latter two art forms are largely practised in public areas such as parks, city centres and ...
Photographic composition techniques are used to set up the elements of a picture. These are the techniques which resembles the way we humans normally see a view Some of the main techniques that are: Simplicity (photography) Symmetrical balance; Asymmetrical balance; Radial balance; Rule of thirds; Leading lines [1] Golden ratio; Framing ...
Agfacolor. Ap-41 process (pre-1978 Agfa color slides; 1978-1983 was a transition period when Agfa slowly changed their color slide films from AP-41 to E6); Anthotype; Autochrome Lumière, 1903
This category contains categories and articles relating to the theory and methodology of composing and/or taking photographs, or to their manipulation during or after processing.
The so-called golden age of hand-coloured photography in the western hemisphere occurred between 1900 and 1940. [11] The increased demand for hand-coloured landscape photography at the beginning of the 20th century is attributed to the work of Wallace Nutting. Nutting, a New England minister, pursued hand-coloured landscape photography as a ...
Many different techniques can be used during the enlargement process. Two examples of enlargement techniques are dodging and burning. Alternatively (or as well), the negative may be scanned for digital printing or web viewing after adjustment, retouching, and/or manipulation.
Other methods for combining images are also called photomontage, such as Victorian "combination printing", the printing of more than one negative on a single piece of printing paper (e.g. O. G. Rejlander, 1857), front-projection and computer montage techniques. Much as a collage is composed of multiple facets, artists also combine montage ...
Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning, and masking, which though similar conceptually to digital manipulations, involve physical rather than virtual techniques.