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Lovecraftian horror, also called cosmic horror [2] or eldritch horror, is a subgenre of horror, fantasy fiction and weird fiction that emphasizes the horror of the unknowable and incomprehensible [3] more than gore or other elements of shock. [4] It is named after American author H. P. Lovecraft (1890–1937).
In 2004, Chaosium released an expanded bestiary to the Mythos which included the entity of Gloon, attributing some non-canonical eldritch and limacine attributes to the entity, a counterpoint to its outwardly pleasing and homoerotic aesthetic. Author Molly Tanzer's novelette "The Infernal History of the Ivybridge Twins" expanded upon Gloon's ...
Shub-Niggurath is a deity created by H. P. Lovecraft.She is often associated with the phrase "The Black Goat of the Woods with a Thousand Young". The only other name by which Lovecraft referred to her was "Lord of the Wood" in his story The Whisperer in Darkness.
A recurring theme in Lovecraft's work is the complete irrelevance of humanity in the face of the cosmic horrors that exist in the universe, with Lovecraft constantly referring to the "Great Old Ones": a loose pantheon of ancient, powerful deities from space who once ruled the Earth and who have since fallen into a death-like sleep.
The imprisoned Cthulhu is apparently the source of constant subconscious anxiety for all mankind, and is also the object of worship, both by many human cults (including some within New Zealand, Greenland, Louisiana, and the Chinese mountains) and by other Lovecraftian monsters (called Deep Ones [13] and Mi-Go [14]). The short story asserts the ...
Instead, the women at the center of Grimms' collected tales are, without exception, oppressed. Summarizing the role of Grimms' women succinctly, Bottigherimer writes, "Snow-White's mother thinks to herself but never speaks, and when her daughter is born, she dies."
References to the Old Ones and "Eldritch Terrors" (a term often used by H. P. Lovecraft to describe Cthulhu Mythos deities) are used throughout the season. In the episode "Chapter Twenty-Two: Drag Me to Hell", Father Blackwood summons a Deep One , offering his two children as blood sacrifice and is given a mystical egg containing a fish-like ...
Bankrolled by a woman named Missy, the main character, Darling, seeks "smooches" from Lovecraftian entities, using the Necronomicon's rituals to summon them. [3] In order, he summons Ln'eta, a female interpretation of Cthulhu, Estir, a gender-flipped Hastur and Missy's true identity, and Nyanlahotep, a female Nyarlahotep with catgirl traits.