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  2. Audio bit depth - Wikipedia

    en.wikipedia.org/wiki/Audio_bit_depth

    Therefore, 16-bit digital audio found on CDs has a theoretical maximum SNR of 98 dB, and professional 24-bit digital audio tops out as 146 dB. As of 2011 [update] , digital audio converter technology is limited to an SNR of about 123 dB [ 12 ] [ 13 ] [ 14 ] ( effectively 21 bits) because of real-world limitations in integrated circuit design.

  3. List of software-defined radios - Wikipedia

    en.wikipedia.org/wiki/List_of_software-defined...

    16 16 Yes Four dual channel, 16 bit, 370 MSPS ADCs; Two quad channel, 16 bit, 2500 MSPS DACs; 4/4 2x 10Gbit/s SFP+, Ethernet Yes Yes Yes Cross Country Wireless SDR receiver v. 3 [35] Pre-built 472 – 479 kHz, 7.0–7.3 MHz/10.1010.15 MHz, and 14.00–14.35 MHz ext No External ADC required (I/Q output) 1/1 Crystal controlled two channels Yes Yes

  4. dBFS - Wikipedia

    en.wikipedia.org/wiki/DBFS

    The unit dB FS or dBFS is defined in AES Standard AES17-1998, [13] IEC 61606, [14] and ITU-T Recs. P.381 [15] and P.382, [16] such that the RMS value of a full-scale sine wave is designated 0 dB FS. This means a full-scale square wave would have an RMS value of +3 dB FS.

  5. Dynamic range - Wikipedia

    en.wikipedia.org/wiki/Dynamic_range

    Digital audio with undithered 20-bit quantization is theoretically capable of 120 dB dynamic range, while 24-bit digital audio affords 144 dB dynamic range. [6] Most Digital audio workstations process audio with 32-bit floating-point representation which affords even higher dynamic range and so loss of dynamic range is no longer a concern in ...

  6. Comparison of audio coding formats - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_audio_coding...

    (comprises 48, 56 or 64 kbit/s audio and 16, 8 or 0 kbit/s auxiliary data) 14 bit 4 ms Yes No No No G.722.1: Modulated Lapped Transform (MDCT), Lossy (based on Siren Codec) 16 kHz 24, 32 kbit/s 16 bit 40 ms Yes No No No G.722.1C Modulated Lapped Transform (MDCT), Lossy (based on Siren Codec) 32 kHz 24, 32, 48 kbit/s 16 bit 40 ms Yes No No No

  7. Windows Media Audio - Wikipedia

    en.wikipedia.org/wiki/Windows_Media_Audio

    Screenshot of Windows Media Encoder 9 Series, displaying new encoding options for Windows Media Audio 10 Professional. Windows Media Audio Professional (WMA Pro) is an improved lossy codec closely related to WMA standards. It retains most of the same general coding features, but also features improved entropy coding and quantization strategies ...

  8. Demultiplexer (media file) - Wikipedia

    en.wikipedia.org/wiki/Demultiplexer_(media_file)

    A demultiplexer for digital media files, or media demultiplexer, also called a file splitter by laymen or consumer software providers, is software that demultiplexes individual elementary streams of a media file, e.g., audio, video, or subtitles and sends them to their respective decoders for actual decoding. [1]

  9. Companding - Wikipedia

    en.wikipedia.org/wiki/Companding

    This method is also used in digital file formats for better signal-to-noise ratio (SNR) at lower bit depths. For example, a linearly encoded 16-bit PCM signal can be converted to an 8-bit WAV or AU file while maintaining a decent SNR by compressing before the transition to 8-bit and expanding after conversion back to 16-bit.