Search results
Results From The WOW.Com Content Network
Vincent van Gogh's Flowers in a Blue Vase, about 1889-1890 . Flowers were the subject of many of Van Gogh's paintings in Paris, due in great part to his regard for flowers. [4] As said to his brother, "You will see that by making a habit of looking at Japanese pictures you will come to love to make up bouquets and do things with flowers all the ...
The dashes of lemon, pink, orange and green seem to bring life to the books, like the blossoming flower that [52] also adds a feeling that the paintings is made for a woman. In 1888 Van Gogh gave this painting and another to his sister, Wil for her birthday.
A typical aesthetic feature is the gilded carved flower, or the stylized peacock feather. Colored paintings of birds or flowers are often seen. Non-ebonized aesthetic movement furniture may have realistic-looking three-dimensional-like renditions of birds or flowers carved into the wood.
From a design point of view, Collins cites Grammy-winning artist Cher’s short-lived furniture and fashion catalog Sanctuary, which published just two editions in 1994 and 1995, as a perfect ...
Flowering Orchards is a series of paintings which Dutch artist Vincent van Gogh executed in Arles, in southern France in the spring of 1888. Van Gogh arrived in Arles in February 1888 in a snowstorm; within two weeks the weather changed and the fruit trees were in blossom.
Vase with Irises Against a Yellow Background is an oil painting on canvas made in 1889 by the painter Vincent Van Gogh. It is preserved in the Van Gogh Museum in Amsterdam . It is one of the works done while he was admitted to the psychiatric clinic in Saint-Rémy, a town near Arles .
The red admiral butterfly (Vanessa atalanta) appears in various locations within most of her substantial paintings, [8] sometimes resting on a flower stem, or on the edge of a table with a flower vase, or on a book. The butterfly was used as a device to draw the viewer's attention into the painting and into van Oosterwijck's artistic vision. [8]
The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms.