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Improvisational theatre, often called improvisation or improv, is the form of theatre, often comedy, in which most or all of what is performed is unplanned or unscripted, created spontaneously by the performers.
The theatre games tradition is a method of training actors that was developed in the 20th century by practitioners such as Viola Spolin and son Paul Sills, Joan Littlewood, Clive Barker, Keith Johnstone, Jerzy Grotowski and Augusto Boal.
Lazzi (/ ˈ l ɑː t s i /; from the Italian lazzo, a joke or witticism) are stock comedic routines that are associated with commedia dell'arte.Performers, especially those playing the masked Arlecchino, had many examples of this in their repertoire, and would use improvisatory skills to weave them into the plot of dozens of different commedia scenarios.
A canovaccio is a scenario used by commedia dell'arte players. It consisted only of a list of acts and scenes; the details were left to the improvisation of the actors. Actors in the commedia dell'arte thus had to be endowed with an inventive mind since the success of the play depended largely on their creativity and above all on their lazzi (jokes and
Along with this, they host "house" improv teams made up of improv students or graduates from their classes. In the past decade, professional improvisational theater groups have gradually started working more with corporate clients, using improvisational games to improve productivity and communication in the workplace.
The "Yes" portion of the rule encourages the acceptance of the contributions added by others. Participants in an improvisation are encouraged to agree to a proposition, fostering a sense of cooperation [2] rather than shutting down the suggestion and effectively ending the line of communication.
The first Playback Theatre company was founded in 1975 [1] by Jonathan Fox and Jo Salas. Fox was a student of improvisational theatre, oral traditional storytelling, Jacob Moreno's psychodrama method and the work of educator Paulo Freire.