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English: Detour is a 1945 American film noir directed by Edgar G. Ulmer starring Tom Neal and Ann Savage. The screenplay was adapted by Martin Goldsmith and Martin Mooney (uncredited) from Goldsmith's 1939 novel of the same title, and released by the Producers Releasing Corporation, one of the so-called Poverty Row film studios in mid-20th-century Hollywood.
The Savage is a 1952 American Technicolor Western film directed by George Marshall. The film stars Charlton Heston, Susan Morrow, and Peter Hansen. [1] Much of The Savage was shot in the Black Hills of South Dakota. The film is based on L. L. Foreman's novel, The Renegade, first published in 1949 by Pocket Books. [2]
Title Director Cast Genre Notes Abbott and Costello in Hollywood: S. Sylvan Simon: Abbott and Costello, Lucille Ball, Rags Ragland: Comedy: MGM: Adventure: Victor Fleming: Clark Gable, Greer Garson, Joan Blondell
Detour is a 1945 American independent [2] [3] film noir directed by Edgar G. Ulmer and starring Tom Neal and Ann Savage.The screenplay was adapted by Martin Goldsmith and an uncredited Martin Mooney from Goldsmith's 1939 novel of the same title, and released by the Producers Releasing Corporation, one of the so-called Poverty Row film studios in mid-20th-century Hollywood.
The year 1945 in film involved some significant events. With 1945 being the last year of World War II , the many films released this year had themes of patriotism, sacrifices, and peace. [ 1 ] In the United States, there were more than eighteen thousand movie theatres operating in 1945, a figure that grew by a third from a decade earlier.
Midnight Manhunt is a 1945 film noir crime film mystery directed by William C. Thomas and written by David Lang. The film premiered on July 24, 1945 and is in the public domain. The film stars William Gargan, Ann Savage, Leo Gorcey and George Zucco.
Savage Pampas (Spanish: Pampa bárbara) is a 1945 Argentine historical epic film of the classical era of Argentine cinema, directed by Lucas Demare and Hugo Fregonese and starring Francisco Petrone, Luisa Vehil and Domingo Sapelli. [1] The film's sets were designed by Germán Gelpi.
When the MPAA gave the film an "R" rating, Scott blasted the decision and urged exhibitors to defy it by running the movie unrated. [2] Scott strongly disagreed with the MPAA's position that incest was a "major" theme of the film and said he was "appalled" that his movie was given the same rating as films like Candy Stripe Nurses and The Texas Chain Saw Massacre. [2]