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  2. Audio bit depth - Wikipedia

    en.wikipedia.org/wiki/Audio_bit_depth

    Therefore, 16-bit digital audio found on CDs has a theoretical maximum SNR of 98 dB, and professional 24-bit digital audio tops out as 146 dB. As of 2011 [update] , digital audio converter technology is limited to an SNR of about 123 dB [ 12 ] [ 13 ] [ 14 ] ( effectively 21 bits) because of real-world limitations in integrated circuit design.

  3. Signal-to-noise ratio - Wikipedia

    en.wikipedia.org/wiki/Signal-to-noise_ratio

    Signal-to-noise ratio (SNR or S/N) is a measure used in science and engineering that compares the level of a desired signal to the level of background noise. SNR is defined as the ratio of signal power to noise power, often expressed in decibels. A ratio higher than 1:1 (greater than 0 dB) indicates more signal than noise.

  4. dBFS - Wikipedia

    en.wikipedia.org/wiki/DBFS

    The unit dB FS or dBFS is defined in AES Standard AES17-1998, [13] IEC 61606, [14] and ITU-T Recs. P.381 [15] and P.382, [16] such that the RMS value of a full-scale sine wave is designated 0 dB FS. This means a full-scale square wave would have an RMS value of +3 dB FS.

  5. Quantization (signal processing) - Wikipedia

    en.wikipedia.org/wiki/Quantization_(signal...

    In either case, the standard deviation, as a percentage of the full signal range, changes by a factor of 2 for each 1-bit change in the number of quantization bits. The potential signal-to-quantization-noise power ratio therefore changes by 4, or 10 ⋅ log 10 ⁡ ( 4 ) {\displaystyle \scriptstyle 10\cdot \log _{10}(4)} , approximately 6 dB per ...

  6. Effective number of bits - Wikipedia

    en.wikipedia.org/wiki/Effective_number_of_bits

    Effective number of bits (ENOB) is a measure of the real dynamic range of an analog-to-digital converter (ADC), digital-to-analog converter (DAC), or associated circuitry. . Although the resolution of a converter may be specified by the number of bits used to represent the analog value, real circuits however are imperfect and introduce additional noise and distor

  7. Dynamic range - Wikipedia

    en.wikipedia.org/wiki/Dynamic_range

    The maximum achievable dynamic range for a digital audio system with Q-bit uniform quantization is calculated as the ratio of the largest sine-wave rms to rms noise is: [19] D R A D C = 20 × log 10 ⁡ ( 2 Q 1 ) = ( 6.02 ⋅ Q ) d B {\displaystyle \mathrm {DR_{ADC}} =20\times \log _{10}\left({\frac {2^{Q}}{1}}\right)=\left(6.02\cdot Q\right ...

  8. Sampling (signal processing) - Wikipedia

    en.wikipedia.org/wiki/Sampling_(signal_processing)

    Audio is typically recorded at 8-, 16-, and 24-bit depth; which yield a theoretical maximum signal-to-quantization-noise ratio (SQNR) for a pure sine wave of, approximately; 49.93 dB, 98.09 dB, and 122.17 dB. [22] CD quality audio uses 16-bit samples. Thermal noise limits the true number of bits that can be used in quantization.

  9. Audio system measurements - Wikipedia

    en.wikipedia.org/wiki/Audio_system_measurements

    Example: A 16-bit system has 2 16 different possibilities, from 0 – 65,535. The smallest signal without dithering is 1, so the number of different levels is one less, 2 161. So for a 16-bit digital system, the Dynamic Range is 20·log(2 161) ≈ 96 dB. Sample accuracy/synchronisation Not as much a specification as an ability.