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Montalvo began playing bongo at the age of seven. He began playing bongo in the parks and with local bands. At the age of 17 he began playing professionally, first with Tony Pabon y La Protesta and Joey Pastrana. [3] He switched to the congas when he joined Julio Romero & the Latin Jazz All-Stars.
The combination of congas and bongos was pioneered by Cándido Camero in New York City. [3] Most modern congas have a staved wooden or fiberglass shell and a screw-tensioned drumhead. Since the 1950s, congas are usually played in sets of two to four, except for traditional rumba and conga, in which each drummer plays one conga. The drums are ...
A pair of congas. Conga players perform on a tall, narrow, single-headed Cuban drum of African origin called the Tumbadora, or the Conga as it is internationally known. It is probably derived from the Congolese Makuta drums or Sikulu drums commonly played in Mbanza Ngungu, Congo.
Cándido Camero Guerra was born in the barrio known as El Cerro, in Havana, to Caridad Guerra and Cándido Camero. [1] [2] [3] His interest in music began at the age of 4, when his maternal uncle Andrés, a professional bongosero for the Septeto Segundo Nacional, taught him to play bongos on condensed milk cans.
The macho bongo produces a high pitch, popping like sound and is referred to as the male bongo. [23] In contrast, the hembra bongo is considered the female of the pair and produces low, deep sounds. [23] The congas and bongos originated in Cuba among African slaves and are key instruments of the afro-Caribbean music genre. [23]
The instrumentation differs between congas santiagueras and congas habaneras. Congas santiagueras include the corneta china (Chinese cornet ), which is an adaptation of the Cantonese suona introduced in Oriente in 1915, and its percussion section comprises bocúes (similar to African ashiko drums), the quinto (highest pitched conga drum ...