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Montalvo began playing bongo at the age of seven. He began playing bongo in the parks and with local bands. At the age of 17 he began playing professionally, first with Tony Pabon y La Protesta and Joey Pastrana. [3] He switched to the congas when he joined Julio Romero & the Latin Jazz All-Stars.
A pair of congas. Conga players perform on a tall, narrow, single-headed Cuban drum of African origin called the Tumbadora, or the Conga as it is internationally known. It is probably derived from the Congolese Makuta drums or Sikulu drums commonly played in Mbanza Ngungu, Congo.
The combination of congas and bongos was pioneered by Cándido Camero in New York City. [3] Most modern congas have a staved wooden or fiberglass shell and a screw-tensioned drumhead. Since the 1950s, congas are usually played in sets of two to four, except for traditional rumba and conga, in which each drummer plays one conga. The drums are ...
Cándido Camero Guerra was born in the barrio known as El Cerro, in Havana, to Caridad Guerra and Cándido Camero. [1] [2] [3] His interest in music began at the age of 4, when his maternal uncle Andrés, a professional bongosero for the Septeto Segundo Nacional, taught him to play bongos on condensed milk cans.
Requena, as well as the Vergara brothers, were instrumental in the technological improvement of bongos and congas. [33] Before the advent of mechanically tunable bongos and congas in the 1940s, both instruments used to be tuned with oil or kerosene lamps. The heat of the flame was used to contract the drumhead to achieve the desired sound. [33]
The author, then 13, snapped this photo of Jerry Garcia while attending his first Dead show at UCLA’s Pauley Pavilion, December 30, 1978. Bill Shapiro