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He has been influential in folk music for over six decades, during which he recorded a large repertoire of songs and tunes he assembled from books, old recordings and folk-song collectors rooted in the Irish, English, Scottish, Eastern European, Australian and American old-time and folk traditions.
The Irish bouzouki (Irish: búsúcaí) [1] is an adaptation of the Greek bouzouki (Greek: μπουζούκι).The newer Greek tetrachordo bouzouki (4 courses of strings) was introduced into Irish traditional music in the mid-1960s by Johnny Moynihan of the folk group Sweeney's Men, who retuned it from its traditional Greek tuning C³F³A³D⁴ to G²D³A³D⁴, a tuning he had pioneered ...
Chord Bible is the generic name given to a variety of musical theory publications featuring a large number of chord diagrams for fretted stringed instruments. The subject matter applies exclusively to chordophones , stringed musical instruments capable of playing more than one note at a time.
The Irish bouzouki is a very similar instrument, and is often confused with the octave mandolin, but an Irish Bouzouki has a longer scale length and a different tuning than the octave mandolin. Also, octave mandola is sometimes applied to what in the U.S. is a mandocello .
This upbeat song by Irish band, The Corrs, landed on the Billboard Hot 100 in 2001 and remains a popular radio staple with its infectious beat and ear-worm lyrics. Comprised of four siblings ...
Sweeney's Men broke the mould of Irish music and are credited with starting the folk revival there in the late 1960s. The most famous innovation of Sweeney's Men is probably Moynihan's introduction of the bouzouki , originally a Greek instrument , into Irish music, albeit with a different tuning: GDAD' [ 2 ] : 15 (one octave lower than the open ...
It is the precursor to the Irish bouzouki, an instrument derived from the Greek bouzouki that is popular in Celtic, English, and North American folk music. There are 3 main types of Greek bouzouki: the trichordo ( three-course ) has three pairs of strings (known as courses) the tetrachordo ( four-course ) has four pairs of strings, & then the ...
Irish dance music is isometric and is built around patterns of bar-long melodic phrases akin to call and response.A common pattern is A Phrase, B Phrase, A Phrase, Partial Resolution, A Phrase, B Phrase, A Phrase, Final Resolution, though this is not universal; mazurkas, for example, tend to feature a C Phrase instead of a repeated A Phrase before the Partial and Final Resolutions, for example.