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The Bauhaus emblem, designed by Oskar Schlemmer, was adopted in 1922. Typography by Herbert Bayer above the entrance to the workshop block of the Bauhaus Dessau, 2005. The Staatliches Bauhaus (German: [ˈʃtaːtlɪçəs ˈbaʊˌhaʊs] ⓘ), commonly known as the Bauhaus (German for 'building house'), was a German art school operational from 1919 to 1933 that combined crafts and the fine arts. [1]
It is a textbook example of Bauhaus functionalist architecture, both in the finished product and in the analytical and collaborative approach used develop the design and complete the project. Next to the Bauhaus Dessau building, it was the second largest project ever undertaken by the Bauhaus. [33] [34]
Hans Wittwer (4 February 1894 – 19 March 1952) was a Swiss architect who worked in Germany and who taught architecture at the Bauhaus art school in Dessau.He was a proponent of functionalist architecture; the idea that form follows function.
It is a textbook example of Bauhaus functionalist architecture, both in the finished product and in the analytical and collaborative approach used to develop the design and complete the project. Next to the Bauhaus Dessau building, it was the second-largest project ever undertaken by the Bauhaus. [1] [2]
It was the second largest project ever undertaken by the Bauhaus, after the Bauhaus school buildings in Dessau. [7] [8] [9] The school operated for only three years until the Nazis confiscated it during 1933 for use as a management training school. The building now has historic protection status and it experienced an extensive restoration which ...
The student accommodation wing, Bauhaus Dessau building by Walter Gropius (1925–26) The New Objectivity (a translation of the German Neue Sachlichkeit, sometimes also translated as New Sobriety) is a name often given to the Modern architecture that emerged in Europe, primarily German-speaking Europe, in the 1920s and 30s.
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Time critic Robert Hughes wrote that Wolfe had added nothing to the discussion of modern architecture except "a kind of supercilious rancor and a free-floating hostility toward the intelligentsia". [7] [8] The architectural and urban critic Michael Sorkin noted, "What Tom Wolfe doesn't know about modern architecture could fill a book. And so ...