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Among them, Yamashita recorded "Misty Mauve" for Artisan, although it was not released until 2002 on his Rarities album. [3] The closing track of Artisan is a cover version of The Young Rascals' 1967 U.S. number-one hit. [4] It has been also the ending theme for Sunday Songbook, a weekly radio program that Yamashita has hosted since 1992.
Rarities is the compilation album by a Japanese singer-songwriter Tatsuro Yamashita, released in October 2002. The album is mainly composed of the songs which had initially appeared on B-sides of his previous singles and not included on any albums.
Tatsuro's music has been regarded as a symbol of Japanese city pop, as represented by Ride on Time and For You in the early 1980s. [ 25 ] [ 26 ] [ 27 ] In 2011, Yamashita's newly-released album Ray of Hope topped the weekly Oricon Albums Chart , making him the fourth singer to have topped the chart at least once per decade for four decades running.
It should only contain pages that are Tatsuro Yamashita albums or lists of Tatsuro Yamashita albums, as well as subcategories containing those things (themselves set categories). Topics about Tatsuro Yamashita albums in general should be placed in relevant topic categories .
This was the second time Yamashita produced a song for Mamoru Hosoda since his 2009 film "Summer Wars". Moreover, this was the first time he produced two songs for a movie / drama . Both songs are later included in his 2022 album Softly containing new mixes .
However Tatsuro Yamashita was told that one of his songs in the Go Ahead! album "Bomber" was a hit song in a disco in Osaka. Therefore, in 1979, a promotional single was released under the title of "Bomber".
Pacific is a 1978 album featuring instrumental compositions by Japanese musicians Haruomi Hosono, Shigeru Suzuki and Tatsuro Yamashita. It is the first in the CBS/SONY Sound Image Series . [1] The album shows a small island named Motu Fara that is part of the Avatoru Pass.
On the Street Corner is a 1980 cover album by Tatsuro Yamashita.The album features Tatsuro Yamashita's favorite oldies, especially doo-wop songs. Many of the takes recorded were initially performed purely as Yamashita's hobby, and while some of them were shown on stage, the number of songs gradually accumulated, so that's it.