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Chopin rewrote the piano part as Andantino, B. 117; there exist 5 manuscripts of this arrangement, dated between April 1838 and 1 September 1848; Franz Liszt also transcribed the song for piano solo as No. 2 of his Six Chants polonais, S.480 (composed 1847-1860) 3. Smutna rzeka: Troubled Waters The Mournful Stream, Sad River Witwicki 1831
In Chopin's case, at least four latter-day catalogues vie for prominence: Maurice J. E. Brown (B numbers); Krystyna Kobylańska (KK numbers); Józef Michał Chomiński, whose catalogue is segmented into six parts, each part utilising a different letter (A, C, D, E, P and S); and Chopin National Edition WN numbers. Hence, a work of Chopin can be ...
Franz Liszt, after an 1856 painting by Wilhelm von Kaulbach. This article lists the various treatments given by Franz Liszt to the works of almost 100 other composers.. These treatments included transcriptions for other instruments (predominantly solo piano), arrangements, orchestrations, fantaisies, reminiscences, paraphrases, illustrations, variations, and editions.
Franz Liszt, after a painting of 1856, by Wilhelm von Kaulbach. Hungarian Romantic composer Franz Liszt (1811–1886) was especially prolific, composing more than 700 works. A virtuoso pianist himself, much of his output is dedicated to solo works for the instrument and is particularly technically demanding.
The similarity between the two works has been interpreted as a tribute to Chopin who died in 1849, a year before the Consolations were published. [17] This third Consolation is however one of several of Liszt's works that take a style reminiscent of Chopin; some examples include Liszt's Polonaises, Berceuse, Mazurka brillante, and his Ballades ...
Also, Chopin wrote numerous song settings of Polish texts, and chamber pieces including a piano trio and a cello sonata. This listing uses the traditional opus numbers where they apply; other works are identified by numbers from the catalogues of Maurice J. E. Brown ( B ), Krystyna Kobylańska ( KK ), Józef Michał Chomiński ( A , C , D , E ...
While Liszt had been inspired to some extent by the ideas of Richard Wagner in unifying ideas of drama and music via the symphonic poem, [23] Wagner gave Liszt's concept only lukewarm support in his 1857 essay On the Symphonic Poems of Franz Liszt, and was later to break entirely with Liszt's Weimar circle over their aesthetic ideals. [citation ...
This listing uses the traditional opus numbers where they apply; other works are identified by numbers from the catalogues of Maurice J. E. Brown (B), Krystyna Kobylańska (KK), Józef Michał Chomiński (A, C, D, E, P, S), and the Chopin National Edition (WN). The last opus number Chopin used was 65, that allocated to the Cello Sonata in G ...