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Many thinkers have critiqued and wished for the abolishment of labour as early as in Ancient Greece. [1] [10] [11] [12] An example of an opposing view is the anonymously published treatise titled Essay on Trade and Commerce published in 1770 which claimed that to break the spirit of idleness and independence of the English people, ideal "work-houses" should imprison the poor.
Examples of this type exhibit a range of social backgrounds, Clod including the aristocracy and professions such as the army, the church, and politics. Johnny Tarleton in Misalliance is an ordinary, vaguely incompetent business man; Colonel Daniel Craven in The Philanderer is a well-meaning, gullible retired officer.
Sociological criticism analyzes both how the social functions in literature and how literature works in society. This form of literary criticism was introduced by Kenneth Burke, a 20th-century literary and critical theorist, whose article "Literature As Equipment for Living" outlines the specification and significance of such a critique.
Aesthetic criticism is a part of aesthetics concerned with critically judging beauty and ugliness, tastefulness and tastelessness, style and fashion, meaning and quality of design—and issues of human sentiment and affect (the evoking of pleasure and pain, likes and dislikes).
Rhetorical criticism analyzes the symbolic artifacts of discourse—the words, phrases, images, gestures, performances, texts, films, etc. that people use to communicate. . Rhetorical analysis shows how the artifacts work, how well they work, and how the artifacts, as discourse, inform and instruct, entertain and arouse, and convince and persuade the audience; as such, discourse includes the ...
Transcendent critique, unlike immanent critique, adopts an external perspective and focuses on the historical genesis of ideas, while negating the values expressed in the cultural text. [2] The purpose of immanent critique, instead, is the detection of societal contradictions that suggest possibilities for emancipatory social change.
A dialogue in two parts, it is by far the longest one included in his collection of essays titled Intentions published on 1 May 1891. "The Critic as Artist" is a significantly revised version of articles that first appeared in the July and September 1890 issues of The Nineteenth Century , originally entitled " The True Function and Value of ...
The Bounds of Sense: An Essay on Kant’s Critique of Pure Reason is a 1966 book about Immanuel Kant's Critique of Pure Reason (1781) by the Oxford philosopher Peter Strawson, in which the author tries to separate what remains valuable in Kant's work from Kant's transcendental idealism, which he rejects.