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  2. Pedestal - Wikipedia

    en.wikipedia.org/wiki/Pedestal

    A pedestal, on the other hand, is defined as a shaft-like form that raises the sculpture and separates it from the base. [1] An elevated pedestal or plinth that bears a statue, and which is raised from the substructure supporting it (typically roofs or corniches), is sometimes called an acropodium.

  3. Marble - Wikipedia

    en.wikipedia.org/wiki/Marble

    Marble quarry in Jaipur, India Marble plant workers in Romblon, Philippines The extraction of marble is performed by quarrying . Blocks are favoured for most purposes, and can be created through various techniques, including drilling and blasting, water jet and wedge methods. [ 22 ]

  4. Maya ceramics - Wikipedia

    en.wikipedia.org/wiki/Maya_ceramics

    The lidded basal flange bowl was a new style of potter to add to the already growing repertoire. This type vessel usually had a knob on top in the form of an animal or human head, while the painted body of the animal or human spreads across the pot. Many of these pots also had mammiform supports, or legs.

  5. Partners desk - Wikipedia

    en.wikipedia.org/wiki/Partners_desk

    A partners desk, partner's desk or partners' desk (also known as a double desk) is a mostly historical form of desk, a large pedestal desk designed and constructed for two users working while facing each other. The defining features of a partner's desk are a deep top and two sets of drawers, one at each end of the pedestal. [1]

  6. Flowerpot - Wikipedia

    en.wikipedia.org/wiki/Flowerpot

    A flowerpot, planter, planterette or plant pot, is a container in which flowers and other plants are cultivated and displayed. Historically, and still to a significant extent today, they are made from plain terracotta with no ceramic glaze , with a round shape, tapering inwards.

  7. Still Life with Flowers on a Marble Slab - Wikipedia

    en.wikipedia.org/wiki/Still_life_with_flowers_on...

    Rachel Ruysch had many followers. At some point in the 18th-century, this painting was copied, and the copy is kept at the Ashmolean museum.A well-documented copyist of Ruysch's works was the Dutch painter Catharina Backer, who also owned two of Ruysch's paired large canvases, commissioned by her father-in-law, the art collector Pieter de la Court van der Voort, in 1710.